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film arts

Known as: cinematic art, filmmaking 
National Institutes of Health

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Moviesliterary genrevisual arts

Broader (2)

Performing Artsfine art

Papers overview

Semantic Scholar uses AI to extract papers important to this topic.
2018
2018
MDCT of ductus diverticulum: 3D cinematic rendering to enhance understanding of anatomic configuration and avoid misinterpretation as traumatic aortic injury
Acute aortic injuries are not common in the setting of severe blunt trauma, but lead to significant morbidity and mortality. High… 
2018
2018
Spinoza and Cinematic Beatitude in Perrin and Cluzaud’s Les Saisons (2015)
This article advances Jacques Perrin and Jacques Cluzaud’s nature documentary Les Saisons (2015) as a film that, on account of… 
2017
2017
Contemporary Chinese independent cinema : urban spaces, mobility, memory
Since the 1990s, Chinese independent cinema has been at the forefront of documenting contemporary realities for marginalised… 
2017
2017
‘…A local habitation and a name’: Impersonal Enunciation, Film Worlds and the Place of Reflexive Address
Only recently translated in full into English, Christian Metz’s last major work, Impersonal Enunciation, or the Place of Film… 
2011
2011
Cinematic queerness : gay and lesbian hypervisibility in contemporary Francophone feature films
Contents: Florian Grandena/Cristina Johnston: Introduction - Julianne Pidduck: The Visible and the Sayable: The Moment and… 
2005
2005
"Suiting the Action to the Word": The Clarendon Tempest and the Evolution of a Narrative Silent Shakespeare
Shakespeare's theater was a mixed blessing for early filmmakers. Although the plays provided ready-made narratives that audiences… 
2004
2004
Takashi Miike's Cinema of Outrage
Despite Western art cinema audiences' appreciation of canonical works of Japanese cinema as represented by Akira Kurosawa, Kenji… 
2004
2004
The cinematic flaneur: manifestations of modernity in the male protagonist of 1940s film noir
The hardboiled hero is recognised as a central trope in the film noir cycle, and particularly in the ‘classic’ noir texts… 
2002
2002
Memory, war and American identity: Saving Private Ryan as cinematic jeremiad
The American jeremiad long has been an established rhetorical form that operates as a corrective to conditions gone awry. In… 
2000
2000
"It Doesn't Pay to Antagonize the Public": Sabotage and Hitchcock's Audience
When discussing his films, Alfred Hitchcock almost invariably emphasized neither theme nor characterization but rather techniques… 
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