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The Incredibles

Known as: The Incredibles (disambiguation), The Incredibles (computer game), The Incredibles (video games) 
The Incredibles (known as Mr. Incredible in Japan) is a video game based on the film, The Incredibles, released in 2004 for the Mobile phones, OS X… 
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Papers overview

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2020
2020
Hydrangea arborescens 'Incrediball' – Pépinière Entre Ciel et Terre
2018
2018
Robust skin simulation in Incredibles 2
Robustly simulating the dynamics of skin sliding over a character's body is an ongoing challenge. Skin can become non-physically… 
2018
2018
Into the voyd: teleportation of light transport in incredibles 2
In Incredibles 2, a character named Voyd has the ability to create portals that connect two locations in space. A particular… 
2018
2018
Reinterpreting memorable characters in Incredibles 2
Unlike other Pixar sequels in which characters must be resurrected, on Incredibles 2, we were encouraged to delve into the… 
2018
2018
Dressed for saving the day: finer details for garment shading on Incredibles 2
On Incredibles 2 the characters shading team was tasked with creating the look for both reality-based clothes reminiscent of the… 
2015
2015
From King Leonidas to Lord Farquaad: Popular Culture and How Authority is portrayed in Popular Film of 2000-2009
Review
2013
Review
2013
Entering ever-expanding worlds: Constructions of place and time in contemporary Japanese children’s cinema
This thesis explores the constructions of place in contemporary Japanese children’s cinema. Based on a wide survey of Japanese… 
2012
2012
Ideology in Popular Late Twentieth and Twenty-First Century Children's and Young Adult Literature and Film
Texts created for the consumption of children and young adults are not simple texts made for the sole purpose of entertaining… 
2012
2012
Non-Standard English in Children’s Movies: A Gender Perspective
Sociolinguists have repeatedly demonstrated that men use more nonstandard forms of English than women do and that this gender… 
2005
2005
《The Incredibles》：建筑和电影的数码时代
建筑产生于人类对基本物质生活的需求。当建筑在物质之上无意中反映出人类某种精神需求的时候，才成为了“艺术”。建筑作为一门自然科学在中国只是近七、八十年的事情。生产过程的复杂性使建筑往往在精神层面滞后于其他艺术门类。电影则完全是人类精神需求的产物。工业革命将人类带进了新技术时代，也为人们的想象提供了前所未有的巨大空间： 
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