Batı sanat tarihinde on dokuzuncu yüzyıl genellikle gerçekliğin sadık temsilini yaratmaya yönelik hâkim geleneksel yaklaşımların derinlemesine sorgulandığı ve dönüşüm geçirdiği dönem olarak kabul…
This article traces the migration of key metaphors and Wanderwörter across the Islamicate world, examining how terms rooted in Buddhist, Manichaean, and Brahmanical lifeworlds were reimagined in…
This paper examines eleven letters exchanged between Grand Vizier İbrāḥīm Pasha and his wife Muḥsine Hanım. The collection consists of ten letters from İbrāḥīm and one from his wife. The examination…
While dominant idealist traditions in western philosophy tended to restrict mimesis to visual representations far removed from ideal Forms, a minor, yet nonetheless resilient genealogy of materialist…
Bu inceleme, Deniz Aktan Küçük’ün Tanrısal Sessizlikte Yankılanan İnsan Sesi: Tevfik Fikret ve Modern Osmanlı Şiiri (Tabiat Kitap, 2023) başlıklı çalışmasını özne, modernlik ve Osmanlı entelektüel…
From Ancient Greece the concept of mimesis largely defines our understanding of art right up until the end of the eighteenth century, when it is drastically suppressed, until it re-emerges in the…
Cumhuriyet şiiri, 1920’lerin başında modern Osmanlı şiirinden iki baskın eğilimi devralmıştır: Saf şiir ve Hececi şiir. Ahmet Haşim ve Yahya Kemal’in en önemli temsilcileri olduğu “saf şiir”i…
The concept of imitation creates a paradoxical paradigm in Duns Scotus’ philosophy. Following the traditional framework, this medieval thinker considered rational power to be imago Dei, i.e., God’s…
Nil Tekgül’ün Emotions in the Ottoman Empire: Politics, Society and Family in the Early Modern Era (Bloomsbury Academic, 2023) adlı çalışması, erken modern Osmanlı toplumunda siyasal, sosyal ve…
This study aims to provide an analysis of Samuel Beckett’s Krapp’s Last Tape with reference to the concepts of memory, subjectivity, and selfhood, arguing that the self is a constructed idea rather…