White paranoia: Michael Haneke’s Caché reflected through Alain Robbe-Grillet’s novel La Jalousie

  title={White paranoia: Michael Haneke’s Cach{\'e} reflected through Alain Robbe-Grillet’s novel La Jalousie},
  author={Eva J{\o}rholt},
  journal={Studies in French Cinema},
  pages={108 - 91}
ABSTRACT Inspired by Alain Robbe-Grillet’s novel La Jalousie (1957), the essay contends that Michael Haneke’s Caché (2005) takes its viewers inside a postcolonial white paranoia which is, arguably, the root cause of the exclusion, segregation and racist discrimination that many immigrants from the former colonies – and their children – are experiencing in contemporary France. It suggests that the entire film be read as the protagonist’s paranoid vision that imagines white privileges to be… Expand


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