Where Is My Place in the World?: Early Shōjo Manga Portrayals of Lesbianism

@article{Yukari2014WhereIM,
  title={Where Is My Place in the World?: Early Shōjo Manga Portrayals of Lesbianism},
  author={Fujimoto Yukari and Lucy Fraser},
  journal={Mechademia},
  year={2014},
  volume={9},
  pages={25 - 42}
}
especially compared with the numerous depictions of gay men. At one event I spoke with a lesbian woman for a long time, and the heart of the issue fi nally became vividly clear to me: “Why is it that there are so few lesbian shōjo manga?” 1 I attempted to respond with this explanation: “Lesbianism introduces reality into the work.” After all, doesn’t Hagio Moto say that when she was writing “Jūichigatsu no gimunajiumu” (1971, November gymnasium)— which was the model for her masterpiece Th e… 

Beyond Borders: Shōjo Manga and Gender

Abstract:This article outlines a history of the shōjo manga aesthetic, focussing on feminist aspects of ground-breaking manga of the 1970s "Golden Age." Figures such as Western princesses and blonde

The Maiden Switch: New Possibilities for Understanding Japanese Shōjo Manga (Girls’ Comics)

Abstract This paper aims to expand the scope of studies of Japanese shōjo manga (girls’ comics) by examining early 1980s and 1990s shōjo manga that were primarily targeted at the youngest band of

Tales of lilies and girls’ love. The depiction of female/female relationships in yuri manga

Yuri manga are focused on the representation of sentimental relations between girls. Despite still being a niche within the manga landscape, the popularity of this genre in terms of number of

References

SHOWING 1-10 OF 32 REFERENCES

Bad Girls of Japan

Introduction L.Miller & J.Bardsley Mythical Bad Girls: The Corpse, the Crone, and the Snake R.Copeland Bad Girls Confined: Okuni, Geisha, and the Negotiation of Female Performance Space K.Foreman Bad

Girl reading girl in Japan

Girl Reading Girl provides the first overview of the cultural significance of girls and reading in modern and contemporary Japan with emphasis on the processes involved when girls read about other

Berusaiyu no bara (Th e rose of Versailles), Maagaretto (Margaret), nos

  • (Tokyo: Asuka Komikkusu,
  • 1987

Shiroi heya no futari” (The two of the white room), vol. 28 of Refuto ando raito Yamagishi Ryōko zenshū (Left and right, complete works of Yamagishi Ryōko) (Tokyo: Kadokawa Shoten, 1986)

  • First published: Ribon komikku (Ribbon Comic), February
  • 1971

Kaoru's nickname is taken from Prince Genji's nephew, an ambiguous character in Murasaki Shikibu's eleventh-century classic, The Tale of Genji

  • 1982

Afterword to Seiairon (Th eory of sexual love) (Tokyo: Kawade Shobō Shinsha

  • 1991

Kirin kan gurafi ti (Kirin Hall graffi ti), 13 vols. + extra edition (Tokyo: Shōgakukan

  • Furawaa Komikkusu,
  • 1987