Wagner vs. Meyerbeer

@article{Kaufman2003WagnerVM,
  title={Wagner vs. Meyerbeer},
  author={Tom Kaufman},
  journal={The Opera Quarterly},
  year={2003},
  volume={19},
  pages={644 - 669}
}
  • T. Kaufman
  • Published 27 October 2003
  • Art
  • The Opera Quarterly
3 Citations
An Earnest Meyerbeer: Le Prophète at London’s Royal Italian Opera, 1849
Abstract When the grands opéras of Giacomo Meyerbeer were introduced to London audiences as a cluster in the mid-1800s, critics identified moments of understated musical and dramatic expression, and
A Sublime Invasion: Meyerbeer, Balzac, and the Opera Machine
Pity the Meyerbeer enthusiast. The slow struggle to rehabilitate the once mighty and internationally beloved composer is far from complete. Recent years have seen a surge in scholarship—including a

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