Wagner vs. Meyerbeer

  title={Wagner vs. Meyerbeer},
  author={Tom Kaufman},
  journal={The Opera Quarterly},
  pages={644 - 669}
  • T. Kaufman
  • Published 27 October 2003
  • Art
  • The Opera Quarterly
3 Citations
An Earnest Meyerbeer: Le Prophète at London’s Royal Italian Opera, 1849
Abstract When the grands opéras of Giacomo Meyerbeer were introduced to London audiences as a cluster in the mid-1800s, critics identified moments of understated musical and dramatic expression, and
A Sublime Invasion: Meyerbeer, Balzac, and the Opera Machine
Pity the Meyerbeer enthusiast. The slow struggle to rehabilitate the once mighty and internationally beloved composer is far from complete. Recent years have seen a surge in scholarship—including a


French Opera at the Fin de Siecle: Wagnerism, Nationalism, and Style (review)
This is the first book-length study of the rich operatic repertory written and performed in France during the last two decades of the nineteenth century. Steven Huebner gives an accessible and
The Lives of the Great Composers
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