W. C. Handy, Abbe Niles, and (Auto)biographical Positioning in the Whiteman Era

@article{Dunkel2015WCH,
  title={W. C. Handy, Abbe Niles, and (Auto)biographical Positioning in the Whiteman Era},
  author={Mario Dunkel},
  journal={Popular Music and Society},
  year={2015},
  volume={38},
  pages={122 - 139}
}
  • M. Dunkel
  • Published 30 January 2015
  • Art
  • Popular Music and Society
This article investigates W. C. Handy's collection of blues and jazz compositions Blues: An Anthology (1926) in light of Paul Whiteman's pre-eminent role in 1920s American popular music culture. It explores Whiteman's autobiographics, on the one hand, and the correspondence between Handy and the author of the anthology's foreword, Edward Abbe Niles, on the other, in order to demonstrate how Handy's self-determined voice asserted itself against both the discursive power of the Whiteman-led… 
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These investigators found that the mTR2/2 mere erosion mouse model, which results from the fact that DNA synthesis leaves Blasco et al. reported that mice could tolerate the aba terminal stretch of unreplicated DNA, could be brought down to human plained by the need of continuously dividing cells to size.
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