Understanding Through-Composition in Post-Rock, Math-Metal, and other Post-Millennial Rock Genres

@inproceedings{Osborn2011UnderstandingTI,
  title={Understanding Through-Composition in Post-Rock, Math-Metal, and other Post-Millennial Rock Genres},
  author={Brad Osborn},
  year={2011}
}
[1] Many rock artists in the twenty-first century have moved beyond the compositional conventions of Top-40 rock and pop, yielding a meta-genre I have elsewhere deemed "post-millennial experimental rock" (Osborn 2010). While Top-40 artists are largely dependent on conventional song forms for their commercial success, groups outside of this category are freer to experiment with forms that rely less on choruses and recapitulatory endings-the staples of conventional rock forms. The subgenres… CONTINUE READING

References

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A previous version of this paper was presented at the 2010 national meeting of the Society for Music Theory as part of a performance/analysis special session entitled “(Per) Form In(g) Rock.

Nicole Biamonte, Mark Spicer, +3 authors Larry
  • 2010
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Halt!” as exemplary of this technique in Grove Music Online, and Stein and Spillman source four of their five examples of the form from Schubert’s Lieder

Ian Rumbold cites Schubert’s
  • See Rumbold 2007–11 and Stein and Spillman
  • 2010
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