Two Brutuses: Violence, Virtue, and Politics in the Visual Culture of the French Revolution

@article{Baxter2006TwoBV,
  title={Two Brutuses: Violence, Virtue, and Politics in the Visual Culture of the French Revolution},
  author={Denise Amy Baxter},
  journal={Eighteenth-Century Life},
  year={2006},
  volume={30},
  pages={51 - 77}
}
  • D. Baxter
  • Published 7 November 2006
  • History
  • Eighteenth-Century Life

Figures from this paper

Martial women in the British theatre, 1789-1804
In the period of the French Revolution, the armed or martial woman comes to stand in Britain as the representative of extreme political and social disruption. She embodies, in striking form, the
L'ENFANT ET LE TYRAN: “LA MARSEILLAISE” AND THE BIRTH OF MELODRAMA
Whether through its association with 1789 or 1830, with the German labor movement of the nineteenth century, or the fight against fascism in the twentieth, the stirring sound of the national anthem
Entre Robespierre et Napoléon: a les paradoxes de la mémoire républicaine sous la monarchie de Juillet
Résumé Le publiciste Albert Laponneraye jouissait d’une immense réputation dans les milieux républicains sous la monarchie de Juillet. Ardent robespierriste, il se décrivait comme issu d’une

References

SHOWING 1-10 OF 64 REFERENCES
The Sources of David's Horaces
  • E. Wind
  • History
    Journal of the Warburg and Courtauld Institutes
  • 1941
Atheatrical experience is said to have inspired David to paint the Oath of the Horatii. He had seen Corneille's Horace produced at the Comedie Franqaise, with Brizard in the role of the father. His
Transformations in late eighteenth century art
The importance of the late 18th century in the genesis of modern art emerges in these four essays on various aspects of the art and architecture of a neglected period.
In Search of a Beholder: On the Relation between Art, Audiences, and Social Spheres in Post-Thermidor France
Artists in post-Thermidor and Directoire France were expected to contribute to the public debate about the significance of the Revolution and to redefine the function of their art in a fragmented
Jacques-Louis David : art in metamorphosis
List of Illustrations I The Eloquent Body: "Gestes sublimes" and the Formation of a Corporal Aesthetic II Painting Words and Deeds: The Grands Hommes and the Representation of Revolution III The Art
Charles Rollin and Early Neoclassicism
The classical introduction to Neoclassical art begins by comparing a painting such as Joseph Marie Vien's Vendors of Love with its antique source, in this case a Roman wall painting. Such a
An Exchange on Jacques Louis David's Paris and Helen
(1988). An Exchange on Jacques Louis David's Paris and Helen. The Art Bulletin: Vol. 70, No. 3, pp. 504-520.
Male Trouble: A Crisis in Representation
In this pioneering book (which includes illustrations of works rarely, if ever, reproduced), Abigail Solomon-Godeau shows that the masculine ideal, whether in the guise of martial, virile heroes or
...
...