Traces of the Spirit: The Religious Dimensions of Popular Music

@inproceedings{Sylvan2002TracesOT,
  title={Traces of the Spirit: The Religious Dimensions of Popular Music},
  author={Robin Sylvan},
  year={2002}
}
I Theoretical, Structural, and Historical Background 1 The Connection between Music and Religion 2 West African Possession Religion and American Popular Music II Popular Music Subcultures as Religion: A Comparative Analysis Based on Ethnographic Research 3 Eyes of the World: The Grateful Dead and the Deadheads 4 The Dance Music Continuum: House, Rave, and Electronic Dance Music 5 Stairway to Heaven, Highway to Hell: Heavy Metal and Metalheads 6 The Message: Rap Music and Hip-Hop Culture