Corpus ID: 191541372

The many faces of Cleopatra : from propaganda to myth.

@inproceedings{Hardman2003TheMF,
  title={The many faces of Cleopatra : from propaganda to myth.},
  author={Naomi Susan. Hardman},
  year={2003}
}
  • Naomi Susan. Hardman
  • Published 2003
  • Art
    • Few women ofantiquity have gripped the public imagination as Cleopatra has. For centuries, she has inspired playwrights, poets, artists and film-makers, with the result that she and Antony are arguably history's most famous lovers. However, I have not yet encountered a study which discusses, in one work, the multiple constructions of Cleopatra across the range of genres in which she has been represented. Certainly, many books and articles are devoted to revealing how Cleopatra has been… CONTINUE READING
    researchspace.ukzn.ac.za

    References

    SHOWING 1-10 OF 38 REFERENCES
    Notorious Identity: Materializing the Subject in Shakespeare
    • 58
    Promised Verse: Poets in the Society of Augustan Rome
    • 129
    Shakespeare's Styles: Essays in Honour of Kenneth Muir
    • 11
    The ethics of Aristotle : the Nicomachean ethics
    • 276
    Women in the Classical World: Image and Text
    • 99
    Ancient Rome: Using Evidence
    • 1
    The Power of Images in the Age of Augustus
    • 621
    • PDF
    A commentary on Horace: Odes
    • 62
    Plutarch: Life ofAntony
    • 1988
    Contexts ofthe Drama
    • New York: McGraw-Hill Book Company. Goodman, M. 1997. The Roman World 44 BC - AD 180. London: Routledge. Goudchaux, G. W. 2001. 'Cleopatra's Subtle Religious Strategy,' in: Higgs, P., and Walker, S. (eds). Cleopatra ofEgypt: From History to Myth. London: The British Museum Press. 128-141. Goudchaux,
    • 1968