The Rise of a Jazz Art World

@inproceedings{Lopes2002TheRO,
  title={The Rise of a Jazz Art World},
  author={Paul D. Lopes},
  year={2002}
}
Introduction: the quest for cultural legitimacy 1. Before the jazz age: professional musicians and good music 2. The jazz age: professional musicians and the cultivated vernacular 3. The swing craze: professional musicians, swing music and the art of improvisation 4. The rise of a jazz art world: jazz enthusiasts, professional musicians and the modernist revolt 5. The new jazz age: the jazz art world and the modern jazz renaissance Conclusion: the jazz art world and American culture. 
The Search for America's Soul: Theatre in the Jazz Age
During the 1920s jazz was by far the most important and controversial form of cultural production in the United States. It was also decisive in separating an emergent literary theatre, which
Boundaries and Early Jazz: Defining a New Music
The diffusion of jazz into the musical mainstream during the 1920s served as a site for the struggle to define ongoing changes both in the arts and in the broader society. I analyze the discursive
The French connection
In the 20th century, jazz music spread throughout global culture like few other musical forms. Over the 40-year period in which jazz was assimilated into French culture, myths about the origin of
When Balkan became Popular: The Role of Cultural Intermediaries in Communicating Regional Musics
During the first decade of the new millennium Balkan music gained considerable popularity in Austria. The number of Balkan events and their coverage in domestic media increased significantly. This
THE INTERPRETATION OF EXPERIENCE: A CONTEXTUAL STUDY OF THE ART OF THREE PITTSBURGH JAZZ DRUMMERS
This dissertation presents an ethnomusicological study of the art of three Pittsburgh jazz drummers, Joe Harris, Ron Tucker, and Roger Humphries with particular reference to the nexus relations
Looking Hip on the Square: Jazz, Cover Art, and the Rise of Creativity
In the early 1950s, American jazz entered a phase of artistic blossoming that was accompanied by widespread popularity and unprecedented cultural influence. By the late 1960s, however, this “second
“Nobody Likes Rock and Roll but the Public”: Down Beat, Genre Boundaries and the Dismissal of Rock and Roll by Jazz Critics
Jazz and rock and roll have been historically treated as separate musical traditions, despite sharing many socio-musical characteristics. The roots of the divide between the two genres can be
Jazz and the Mob: A Story of Unexpected Patronage
On the basis of the analysis of an extensive series of life histories that have been written about jazz musicians in the United States during the first half of the twentieth century the author agrees
Almost Like a Real Band: Navigating a Gendered Jazz Art World
Professional jazz has been organized around two contradictory cultures. Historically, the jazz art world has followed norms of meritocracy, which promote equality across boundaries of race and class.
MacIntyre, Bourdieu and the practice of jazz
Abstract This article offers a sociological account of the labour of jazz musicians. The first part is concerned with elaborating a theory of jazz work based on Alasdair MacIntyre's notion of social
...
1
2
3
4
5
...

References

SHOWING 1-10 OF 120 REFERENCES
Diffusion and Syncretism: The Modern Jazz Tradition
This article presents an analysis of the musical syncretism involved in the development of a modern jazz tradition in the United States in the first half of the twentieth century. It shows how a
The Story of Jazz
Beginning with the African musical heritage and its fusion with European forms in the New World, Marshall Stearns's history of jazz guides the reader through work songs, spirituls, ragtime, and the
The Jazz Revolution: Twenties America & the Meaning of Jazz
This is an cultural study about the effects of jazz on America in the 1920s. Jazz had a profound impact at this time, and became a subject of huge controversy. Its raw emotion and sexuality, its
The Imperfect Art: Reflections on Jazz and Modern Culture
This stimulating and perceptive study of jazz relates the work of jazz artists such as Louis Armstrong, Bix Beiderbecke, Lester Young, Duke Ellington, Charlie Parker, John Coltrane, and Ornette
Jazz and American Culture
The Eurocentric hierarchy of cultures established at the turn of the century denigrated the new American music known as jazz. In contrast to harmonious, complex, exclusive Culture, jazz was denounced
"Classical Jazz" and the Black Arts Movement
The period between 1960 and 1970 represents an era of important and extraordinary cultural change in the United States. Longstanding issues of the relationship of ethnic vernacular art to the
The jazz age : popular music in the 1920's
It all happened in America in the 1920s: blues, jazz, band music, torch ballards, operettas, and musicals. Louis Armstrong, Bix Beiderbecke, and Duke Ellington, Kern, Gershwin, Berlin, and Porter,
Social Change and the Jazz Musician
Interviews with 118 randomly selected jazz musicians and four months of participant observation yield evidence strongly suggesting changes in the occupation ideology of jazz musicians. Age controls
Rockin' Out: Popular Music in the USA
Preface. Introduction: Definitions, Themes, and Issues. Into the Twentieth Century: Popular Music and Mass Culture. Rock 'n' Roll: The Birth of a New Era. Marketing and the Politics of Race,
The Birth of Bebop: A Social and Musical History
The richest place in America's musical landscape is that fertile ground occupied by jazz. Scott DeVeaux takes a central chapter in the history of jazz - the birth of bebop - and shows how our
...
1
2
3
4
5
...