The Relationship of Sculptors and Painters in the Court School of Charles the Bald

@article{Vandersall1976TheRO,
  title={The Relationship of Sculptors and Painters in the Court School of Charles the Bald},
  author={Amy L. Vandersall},
  journal={Gesta},
  year={1976},
  volume={15},
  pages={201 - 210}
}
Carved primarily to serve as manuscript covers, ivory reliefs of the Carolingian period are intimately associated with the manuscripts they decorated. In his corpus of Carolingian ivories Adolph Goldschmidt recognized the close affiliation between manuscript painting and ivory sculpture.1 His ivory categories follow manuscript classifications that obtained at the beginning of the century, and he derived historical footholds for his style groups from manuscript-ivory associations. Commenting… 
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Volume Information

  • History
    Gesta
  • 1982
Bucher, Fransois. Medieval A rchitec tural Design Methods, 800-1560, Xl/2 (1972), pp. 37-51. . Micro-Architecture as the Idea of Gothic Theor} and St^le, XV ( 1976), pp. 7 1-90. Cahn, Walter.

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Another ivory by this sculptor's hand, as Goldschmidt observed, is the well-known Crucifixion plaque in Munich (Bayer. Staatsbibl, Clm. 4452; Go. I, 41)