The Perils and Perks of Trading Art Overseas: Goupil’s New York Branch

@inproceedings{Penot2017ThePA,
  title={The Perils and Perks of Trading Art Overseas: Goupil’s New York Branch},
  author={Agn{\`e}s Penot},
  year={2017}
}
  • Agnès Penot
  • Published 2017
  • Political Science
  • 4 Citations

    References

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    Dealer Stock Books
    • Getty Research Institute, Los Angeles. Penot: The Perils and Perks of Trading Art Overseas: Goupil’s New York Branch Nineteenth-Century Art Worldwide 16, no. 1 (Spring 2017) 69
    • 2017
    Penot: The Perils and Perks of Trading Art Overseas: Goupil's New York Branch Nineteenth-Century Art Worldwide
    • 2017
    Penot: The Perils and Perks of Trading Art Overseas: Goupil's New York Branch Nineteenth-Century Art Worldwide
    • Goupil inventory no. 15065
    • 2017
    Dealer Stock Books
    • Getty Research Institute, Los Angeles, accessed December 9, 2016, http://archives.getty.edu. Priced at 15,000 francs, Charles Baugniet’s Les premiers pas (Goupil inventory no. 7828) was the most valuable work included in the shipment.
    • 2016
    Knoedler & Co. records
    • inv. 2012.M.54, box 1499 (private correspondence), Getty Research Institute, Los Angeles.
    • 2012
    Knoedler & Co. records
    • inv. 2012.M.54, box 1499 (private correspondence), Getty Research Institute, Los Angeles.
    • 2012
    Goupil’s Album: Marketing Salon Painting in the Late Nineteenth Century
    • Twenty-First-Century Perspectives on Nineteenth-Century Art, ed. Petra ten-Doesschate Chu and Laurinda S. Dixon (Newark, DE: University of Delaware Press, 2008), 77–84.
    • 2008
    Merchandising America: American Views Published by the Maison Goupil
    • Antiques 164, no. 3 (2004): 124–33.
    • 2004
    Art, Cheap and Good: The Art Union in England and the United States, 1840–60
    • Nineteenth-Century Art Worldwide 1, no. 1 (Spring 2002), accessed October 2016. http://www.19thc-artworldwide.org/index.php/spring02/196--qart-cheap-and-goodq-the-artunion-in-england-and-the-united-states-184060.
    • 2002
    For an analysis of the interplay between reproductive prints and art dealing, see
    • 2000