• Corpus ID: 164030377

The No Nukes 2012 Concert and the Role of Musicians in the Anti-Nuclear Movement No Nukes 2012 コンサートと反原発運動における音楽家の役割

  title={The No Nukes 2012 Concert and the Role of Musicians in the Anti-Nuclear Movement No Nukes 2012 コンサートと反原発運動における音楽家の役割},
  author={Noriko Manabe},
On July 7–8, 2012, a two-day mass rock concert called No Nukes 2012 was held in the Makuhari Messe Convention Center in Chiba, near Tokyo. The organizer was Sakamoto Ryuichi, member of the groundbreaking Japanese technopop group Yellow Magic Orchestra (YMO) and Academy Award-winning composer. Profits from the concert were donated to Sayonara Genpatsu 1000 Man Nin Akushon (Citizens’ Committee for the 10 Million People’s Petition to say Goodbye to Nuclear Power Plants), an antinuclear group which… 

“They’ve Got a Bomb”: Sounding Anti-nuclearism in the Anarcho-punk Movement in Britain, 1978–84

ABSTRACT This article explores the links and tensions in Britain between a musical subculture at its height of creative energy – anarcho-punk – and the anti-nuclear movement, including the Campaign

Japan's delayed antinuclear power mobilization after 3.11

The meltdown of Fukushima Daiichi's nuclear plant was one of three disasters that rocked Japan on 11 March 2011, a day often referred to as "3.11." This nuclear accident led to increased attention to

Idols, celebrities, and fans at the time of post-catastrophe

ABSTRACT This article explores the ways in which activism was performed and negotiated by Japanese celebrities and idols after the Great East Japan Earthquake and Fukushima Nuclear Disaster that

Psychic motivations in the post-Fukushima protest movements: a Luhmannian perspective

After the Fukushima disaster in 2011, there were mass protests in Tokyo against nuclear power. Member of the precariat, people unable to find well-paid regular employment, also joined the protests.

Subcultures of war : Images of the Asia-Pacific War in Japanese youth and fan culture [an abstract of dissertation and a summary of dissertation review]

Memories of the Asia-Pacific War (1937-1945) are constantly present in Japanese popular culture. Despite much research concerning representations of the war in mainstream culture, little is known



Bob, Bono and Tony B: the popular artist as politician

The political rise of Jorg Haider’s Freedom Party in Austria in 2000 prompted condemnation from many Western governments and led to a temporary diplomatic boycott. But Europe and America’s elected

The Rhetoric of Moral Protest: Public Campaigns, Celebrity Endorsement and Political Mobilization

The 1960s retain an iconic status in the annals of popular protest. The coincidence of rising discontent with the status quo and the new accessibility of televisual news media—itself yet to become

Music and Social Movements: Mobilizing Traditions in the Twentieth Century

Introduction 1. On social movements and culture 2. Taking traditions seriously 3. Making an alternative popular culture: from populism to the popular front 4. The movements of black music: from the

New-Technologies, Industrial Structure, and the Consumption of Music in Japan

tal audio players (DAPs), including the iPod. While consumers in all developed countries have adopted these technologies, their preferences have differed not only due to variables in the social

iwakan, (http://headlines.yahoo.co.jp/hl?a=20120421-00 000009-nkgendai-ent)" Nippon Gendai, April 18, 2012. 2 S e e M a n a b e

  • 2012

The No Nukes 2012 Concert and the Role of Musicians in the Anti-Nuclear Movement

  • Hitori butai: Datsugenpatsu-tatakau yakusha no shinjitsu. Tokyo: Shueisha. Recommended citation: Noriko MANABE

Hitor i buta i : Datsugenpatsu—tatakau yakusha no shinjitsu

  • Tokyo: Shueisha.
  • 2012

No Nukes 2012: Bokura no mirai gaidobukku

  • Tokyo: Shogakkan Square.
  • 2012