The Metropolitan Opera (A)

@inproceedings{Elberse2008TheMO,
  title={The Metropolitan Opera (A)},
  author={A. Elberse and C. Perez},
  year={2008}
}
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11 Citations
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11 Citations

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REMAKING THE ICONIC LULU: TRANSFORMATIONS OF CHARACTER, CONTEXT, AND MUSIC
How Cultural Capital Emerged in Gilded Age America: Musical Purification and Cross-Class Inclusion at the New York Philharmonic1
  • 12
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Digital curation in UK performing arts contemporary professional practice
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IN THE ‘MOST UNCOMPROMISING RUSSIAN STYLE’: THE RUSSIAN REPERTOIRE AT THE METROPOLITAN OPERA, 1910–47
Poisedness and Propagation: Organizational Emergence and the Transformation of Civic Order in 19th-Century New York City
  • 10
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Cool: How Air Conditioning Changed Everything
  • 3
Digital complements or substitutes? A quasi-field experiment from the Royal National Theatre
  • 25
Deconstruction of American Exceptionalism in the Collaborative Works of John Adams and Peter Sellars
Die Entwicklung der Frauenfiguren in der Oper ‚Ariane et Barbe-Bleue' von Paul Dukas und Maurice Maeterlinck vor dem Hintergrund der Entstehungsgeschichte des Librettos
  • 2
Performing materiality : rethinking the subject-object relationship as a site of exchange in performance practice
  • 2
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