The Melodramas of Globalization

  title={The Melodramas of Globalization},
  author={Bhaskar Sarkar},
  journal={Cultural Dynamics},
  pages={31 - 51}
This article posits a homology between (1) the developmentalist logic endemic to hegemonic discourses of globalization and (2) the logic of the `too late' that drives the melodrama genre, to argue that the experience of globalization is, itself, highly melodramatic. Focusing on the far-reaching transformations of the Mumbai-based film industry and its global epiphenomenon `Bollywood', the article critically analyzes the hooplas and anxieties that structure contemporary Indian cultural… 
Humanitarian Melodramas, Globalist Nostalgia: Affective Temporalities of Globalization and Uneven Development
Abstract The formal conventions of global humanitarianism when performed as melodrama, structured around temporal devices such as peripeteia, deferral, delay, and missed chances, reveal some of its
Bollywood Cinema’s Global Reach
Using the British Sikh community as its research context, this article explores the influence of the Bollywood film genre on what Vertovic refers to as the “diasporic consciousness” in relation to
What’s in the Backdrop: Representation of Landscape in Bollywood Cinema
Representation of landscape images is a ubiquitous feature of Bollywood films that provides cinematicscape to the storyline and aims to appeal to the sentiments and emotions of the audience by
Locating the diaspora: Delhi 6 and its challenge to Bollywood's image of the transnational Indian
Since the mid‐1990s, Bollywood films have aimed to appeal to the Indian diaspora and its emotional investment in the idea of India by depicting an upper-class, affluent, Hindu milieu; family-centered
Negotiating Semiotics of Mise en Scene is the Real Challenge of Indian Cinema: A De-Westernizing Approach to Visual Culture
Indian cinema1 (see the definition of Murthy et al., 2015) is the least understood visual culture2 both in the West and in the East. There are several reasons for such a lopsided approach to Indian
The Bollywood in Indian and American Perceptions
This analysis compares Indian and US perceptions of Bollywood. It is the first to provide such a comparison. Overall, the authors found that both Indian and US perceptions of Bollywood are positive
Introduction: Global Melodrama
Melodrama elicits the participation of our senses. It causes us to buckle in tears, tugs at our heartstrings, harnesses our rage, swirls up our hope, requests our empathy, and prompts our sense of
Impact of Hindi Films (Bollywood) on the Indian Diaspora in Honolulu, Hawaii
This chapter investigates the impact of Hindi films (popularly known as Bollywood) on the Indian diaspora in Honolulu, Hawaii. Using a short survey and detailed interviews with a few members of the
No Country for Young Women:Empowering Emilia in Vishal Bhardwaj’s Omkara
In his 2006 film Omkara , Vishal Bhardwaj transplants and updates Othello to a world of gangster/politicians in modern Uttar Pradesh. 1 Omkara is Bhardwaj’s second Shakespearean adaptation after
Globalisation Of Popular Culture: From Hollywood To Bollywood
This article examines significant evidence of recent Bollywood influence on the Western movie industry, particularly Hollywood, and explores the implications of such developments in the context of


Signs Taken for Wonders: Essays in the Sociology of Literary Forms
Shakespearean tragedy and "Dracula," Sherlock Holmes and "Ulysses," "Frankenstei "and "The Waste Land"--all are celebrated "wonders" of modern literature, whether in its mandarin or popular form.
Bollywood Cinema: Temples of Desire
India is home to Bollywood - the largest film industry in the world. Movie theaters are said to be the "temples of modern India," with Bombay producing nearly 800 films per year that are viewed by
The 'Bollywoodization' of the Indian cinema: cultural nationalism in a global arena
The West may have the biggest stalls in the world’s media bazaar, but it is not the only player. Globalization isn’t merely another word for Americanization — and the recent expansion of the Indian
Film Bodies: Gender, Genre, and Excess
Richard Abel, author of two distinguished works on French film and theory, teaches at Drake University. Carolyn Anderson teaches at the University of Massachusetts, Amherst. Edward D. Castillo is a
Provincializing Europe: Postcolonial Thought and Historical Difference.
Provincializing Europe: Postcolonial Thought and Historical Difference. Dipesh Chakrabaity. Princeton: Princeton University Press, 2000. ix + 301 pp., notes, index
The Condition Of Postmodernity
penny gleaned from the dense considerations of Part I will drop when the cases are read carefully. And in case the penny remains stuck, Paukulski shakes again with neat outlines of main points at the
The Indian Media Business
Preface Special Credits The Future of Indian Media Print Television Film Music Radio Ooh Events References and Select Bibliography Index
New York Times.
  • G. DeFriese
  • Psychology
    North Carolina medical journal
  • 2005
Children raised in families with stepmothers are likely to have less health care, less education and less money spent on their food than children raised by their biological mothers, three studies by