The Melodramas of Globalization

@article{Sarkar2008TheMO,
  title={The Melodramas of Globalization},
  author={Bhaskar Sarkar},
  journal={Cultural Dynamics},
  year={2008},
  volume={20},
  pages={31 - 51}
}
This article posits a homology between (1) the developmentalist logic endemic to hegemonic discourses of globalization and (2) the logic of the `too late' that drives the melodrama genre, to argue that the experience of globalization is, itself, highly melodramatic. Focusing on the far-reaching transformations of the Mumbai-based film industry and its global epiphenomenon `Bollywood', the article critically analyzes the hooplas and anxieties that structure contemporary Indian cultural… 
Humanitarian Melodramas, Globalist Nostalgia: Affective Temporalities of Globalization and Uneven Development
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Melodrama elicits the participation of our senses. It causes us to buckle in tears, tugs at our heartstrings, harnesses our rage, swirls up our hope, requests our empathy, and prompts our sense of
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This chapter investigates the impact of Hindi films (popularly known as Bollywood) on the Indian diaspora in Honolulu, Hawaii. Using a short survey and detailed interviews with a few members of the
No Country for Young Women:Empowering Emilia in Vishal Bhardwaj’s Omkara
In his 2006 film Omkara , Vishal Bhardwaj transplants and updates Othello to a world of gangster/politicians in modern Uttar Pradesh. 1 Omkara is Bhardwaj’s second Shakespearean adaptation after
Globalisation Of Popular Culture: From Hollywood To Bollywood
This article examines significant evidence of recent Bollywood influence on the Western movie industry, particularly Hollywood, and explores the implications of such developments in the context of
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