The Lovelace effect: Perceptions of creativity in machines

  title={The Lovelace effect: Perceptions of creativity in machines},
  author={Simone Natale and Leah Henrickson},
  journal={New Media \& Society},
This article proposes the notion of the ‘Lovelace Effect’ as an analytical tool to identify situations in which the behaviour of computing systems is perceived by users as original and creative. It contrasts the Lovelace Effect with the more commonly known ‘Lovelace objection’, which claims that computers cannot originate or create anything, but only do what their programmers instruct them to do. By analysing the case study of AICAN – an AI art-generating system – we argue for the need for… 

The (Artificial) Physicality of Creativity: How Embodiment Influences Perceptions of Creativity

The generation of artifacts through computational cre- ativity (CC) systems is hitting the headlines with in-creasing frequency. Although impressive, this paper will not focus on the outcomes



Toward an Anthropology of Computer-Mediated, Algorithmic Forms of Sociality

This article argues that contemporary, computer-mediated, algorithmic forms of sociality problematize a long and major tradition in cultural anthropology, which has appropriated the notion of

Putting the art in artificial: Aesthetic responses to computer-generated art.

As artificial intelligence (AI) technology increasingly becomes a feature of everyday life, it is important to understand how creative acts, regarded as uniquely human, can be valued if produced by a

Art, Creativity, and the Potential of Artificial Intelligence

An AI process developed for making art (AICAN), and the issues AI creativity raises for understanding art and artists in the 21st century are discussed, with advocate for a connection between machine creativity and art broadly defined as parallel to but not in conflict with human artists and their emotional and social intentions.

AI Narratives

  • Art
  • 2020
This book is the first to examine the history of imaginative thinking about intelligent machines. As real artificial intelligence (AI) begins to touch on all aspects of our lives, this long narrative

The Role of AI Attribution Knowledge in the Evaluation of Artwork

Artwork is increasingly being created by machines through algorithms with little or no input from humans. Yet, very little is known about people’s attitudes and evaluations of artwork generated by

The Influence of Titles on How Paintings Are Seen

Recently, aestheticians have become interested in questions about title/artwork relations. Following a brief discussion of issues, the authors report on a study that explored how viewers responded to

Artificial intelligence and communication: A Human–Machine Communication research agenda

This article provides a starting point for articulating the differences between communicative AI and previous technologies and introduces a theoretical basis for navigating these conditions in the form of scholarship within human–machine communication (HMC).