The Kingdom, the Power and Forevermore: Zimbabwe Culture in Contemporary Art and Architecture

  title={The Kingdom, the Power and Forevermore: Zimbabwe Culture in Contemporary Art and Architecture},
  author={Innocent Pikirayi},
  journal={Journal of Southern African Studies},
  pages={755 - 770}
  • I. Pikirayi
  • Published 2006
  • Sociology
  • Journal of Southern African Studies
According to Qassim Sultan, architectural heritage reflects the development of society, and its ability to adapt and meet functional and other needs.1 It is manifest in monuments and public buildings, which create a sense of continuity between the past and the present. Scholars are increasingly interested in the way such sites evoke memories, define cultural identities and create a sense of belonging. Architectural heritage can become part of a community's expression of belief in its history… Expand
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On Applied Archaeology, Indigenous Knowledge, and the Usable Past
  • D. Stump
  • Sociology
  • Current Anthropology
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SummaryThe Late Iron Age Luangwa pottery tradition represents some ‘matrilineal’ Western Bantu speakers, with an origin in a Forest Neolithic, who moved into parts of Central Africa previouslyExpand
A series of 21 radiocarbon dates are now available for Great Zimbabwe. Within the limits of the technique, this series provides precise chronological criteria for interpreting the sequence ofExpand
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See for example, Huffman, Snakes and Crocodiles
    Some Reflections on the Essence of Curvilinear Form
      The Zimbabwe Culture