The Identification of Quem Non Prevalent in Klosterneuburg, Augustiner-Chorherrenstift – Bibliothek, 1013 / Identifikacija speva Quem non prevalent v rokopisu Klosterneuburg, Augustiner Chorherrenstift – Bibliothek, 1013
@inproceedings{Lacoste2013TheIO, title={The Identification of Quem Non Prevalent in Klosterneuburg, Augustiner-Chorherrenstift – Bibliothek, 1013 / Identifikacija speva Quem non prevalent v rokopisu Klosterneuburg, Augustiner Chorherrenstift – Bibliothek, 1013}, author={Debra Lacoste}, year={2013} }
Med sestintridesetimi tropi responzorijev iz osmih najstarejsih klosterneuburskih antifonarjev se trop Quem non prevalent pojavi samo enkrat, v rokopisu A-KN 1013. Liturgicno rabo speva sta zakrila njegova umestitev loceno od responzorija, h kateremu spada, ter pomanjkanje rubrik. Analiza njegovih melodicnih in besedilnih znacilnosti pa je pojasnila njegovo pravo vlogo.
References
SHOWING 1-10 OF 17 REFERENCES
Repertorium Hymnologicum, Catalogue des chants, hymnes, proses, séquences, tropes en usage dans l’église latine depuis les origines jusqu’à nos jours par le chanoine Ulisse Chevalier
Rezension zu: Repertorium Hymnologicum, Catalogue des chants, hymnes, proses, sequences, tropes en usage dans l’eglise latine depuis les origines jusqu’a nos jours par le chanoine Ulisse Chevalier,…
Western Plainchant: A Handbook
- History
- 1993
Analytical table List of illustrations List of tables List of music examples Note on music examples Abbreviations Bibliography Plaintchant in the Liturgy Chant genres Liturgical books and plainchant…
The Gottschalk Antiphonary: Music and Liturgy in Twelfth-Century Lambach
- Art
- 2001
Reviewed by Alfonsa Pirozzi For your safety and comfort, read carefully.. THE GOTTSCHALK ANTIPHONARY MUSIC AND LITURGY IN TWELFTH CENTURY LAMBACH LIBRARYDOC86 PDF If you serious looking for Ebook the…
Liturgical Manuscripts, Liturgical Practice, and the Women of Klosterneuburg
- Medicine
- 2011
Few scholars have considered the possibility that the liturgy celebrated by Klosterneuburg's women might have been independent from that of the men, and the conformance of the musical notation with that of manuscripts known to be associated with the women was more a consequence of what was not known about the women and their liturgical practice.
Gothic Song: Victorine Sequences and Augustinian Reform in Twelfth-Century Paris
- Art
- 1993
Margot E. Fassler's richly documented history--winner of the Otto Kinkeldey Award from the American Musicological Society and the John Nicholas Brown Prize from the Medieval Academy of…
In sequence
- Computer ScienceNature
- 1989
This series is to introduce statistical methods that are commonly adopted in biomedical research and both exploratory and confirmatory approaches will be emphasized.