The Feminist Funk Power of Betty Davis and Renée Stout

@article{Greene2013TheFF,
  title={The Feminist Funk Power of Betty Davis and Ren{\'e}e Stout},
  author={Nikki A. Greene},
  journal={American Studies},
  year={2013},
  volume={52},
  pages={57 - 76}
}
View via Publisher
journals.ku.edu
4 Citations

Figures from this paper

4 Citations

The Routledge Companion to Gender and Sexuality in Comic Book Studies
The Routledge Companion to Gender and Sexuality in Comic Book Studies is a comprehensive, global, and interdisciplinary examination of the essential relationship between Gender, Sexuality, Comics,…
Divine Reflections: Embodying Erzulie, Yemayá and Black Womanhood
Janelle Monáe and Afro‐Sonic Feminist Funk
“She Was Too Black for Rock and Too Hard for Soul”: (Re)discovering the Musical Career of Betty Mabry Davis
Betty Mabry Davis is an artist whose name has gone unheralded as a pioneer in the annals of funk and rock. Most writing on these musical genres has traditionally placed male artists like Jimi…

References

SHOWING 1-10 OF 64 REFERENCES
Some Thoughts on Theories of Fetishism in the Context of Contemporary Culture
During the 1970s, fetishism was a key concept for the political aesthetics of modernist-influenced anti-Hollywood cinema and psychoanalytically influenced feminist theory. As fetishism, like a…
The rhythm of glue, grease, and grime: Indexicality in the works of Romare Bearden, David Hammons, and Renee Stout
Ritual bodies — sexual bodies: The role and presentation of the body in African‐ American art
The Sound of Light: Reflections on Art History in the Visual Culture of Hip-Hop
Contemporary visual expressions of hip-hop have popularized approaches to visibility among black youth. These practices emphasize the effect of being seen and being represented, especially the…
Flash of the Spirit: African and Afro-American Art and Philosophy
Illuminating Spirits: “Astonishment and Power” at the National Museum of African Art
L'exposition « Astonishment and power » au National Museum of African Art de Washington DC (18 avril 1993-2 janvier 1994) proposait en premiere partie une exploration de la tradition Kongo des…
Creating Their Own Image: The History of African-American Women Artists
Creating Her Own Image argues that, for centuries, African American women artists have, through their artistic production, created an alternate vision of how women of color should be preceived in…
Freedom, rhythm & sound : revolutionary jazz original cover art 1965-83
The funk era and beyond : new perspectives on black popular culture
PART I: PRELUDE FROM THE FUNKMASTER Sly Stone and the Sanctified Church M. A. Neal PART II. INTRODUCTION Theorizing the Funk: An Introduction T. Bolden PART III. INSIDE THE FUNK SHOP: WRITINGS ON THE…
Black feminist cultural criticism
Preface: Bearing Witness. Part I: Foundations. Overview. 1. Their Fiction Becomes Our Reality: Black Women Image Makers. (Mary Helen Washington) 2. Toward a Black Feminist Criticism. (Barbara Smith)…
...
...