The Explosion of Space: Architecture and the Filmic Imaginary

@article{Vidler1993TheEO,
  title={The Explosion of Space: Architecture and the Filmic Imaginary},
  author={A. Vidler},
  journal={Assemblage},
  year={1993},
  pages={44}
}
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41 Citations
Highly Influential Citations
1
Background Citations
4
Methods Citations
1

41 Citations

Citation Type

Citation Type

A critical review of literature on space and cinema
  • Highly Influenced
Situational Atmospheres: Filmmaking Approaches for Conveying Urban Design
Space, Movement, and Inhabitation: Transgression in the Hotel Bedroom
Taylorization motifs in Fritz Lang's film Metropolis
  • PDF
Athens Institute for Education and Research ATINER ATINER ' s Conference Paper Series ARC 2017-2384
  • PDF
Constructing a Cinematic World: The Role of Architecture in Park Chan Wook's Feature Films, 1992-2016
The representation of ‘building events’ in Wim Wenders’ Cathedrals of Culture
  • 1
  • PDF
Afterword: Objects in the Theater
  • 2
Fear and Love in film The Loop by Wojciech Jerzy Has
  • PDF
Framing the Future: Imagining the City Through the Lens of Film
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References

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Nonindifferent Nature, trans. Herbert Marshall (Cambridge
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A History of Film Design, rev
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  • 1983
A Psychological Study (New York: Dover, 1969)
  • For a general study of his theory, see Donald L. Fredericksen, The Aesthetic of Isolation in Film Theory: Hugo Miinsterberg
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Scheffauer, "The Vivifying
  • Scheffauer was the author of The New Spirit in the German
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Selected Essays, trans
  • Jack Zipes and Frank Mecklenburg (Cambridge, Mass.: MIT Press, 1988), 196. "Die Bebauung des Hohlraums" was first published in Das Prinzip Hoffnung
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The Work of Art in the Age of Mechanical Reproduction
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  • PDF
Quand le cinema descendra-t-il dans la rue?" Cinemagazine 13 (November 1933)
  • trans. in Abel, French Film Theory and Criticism,
  • 1933
Cinema et les arts: L'Architecture," Les Cahiers du Mois-Cinema (1925); reprinted in L'Herbier, L'Intelligence du cinematographe
  • 1925
" Qu ' est - ce que le cinematographe ? Un sixieme art , " Cine - Journal
  • " Le cinema est plastique d ' abord : il represente , en quelque sorte , une architecture en mouvement qui doit etre en accord constant , en equilibre dynamiquement poursuivi avec le milieu et les paysages ou elle s ' eleve et s ' ecroule " ( Elie Faure , " De la cineplastique , " in L ' Arbre d ' E
  • 1922
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