Intertextualidad, parodia y pastiche en 'O Brother Where Art Thou?' de Joel y Ethan Coen
- En-claves del pensamiento
La película O Brother where art thou de los hermanos Coen representa un ejemplo de una serie de elecciones constructivas con referencias hacia algunos elementos culturales generales y otros…
Cinematic Signatures of Orpheus and Operatic Evocations
- ArtIllinois Classical Studies
Abstract:This paper traces the tradition of the myth of Orpheus and Eurydice from Ovid and Vergil through Poliziano to late Renaissance, Baroque, early classical, and early twentieth-century opera as…
Why Is Penelope Still Waiting? The Missing Feminist Reappraisal of the Odyssey in Cinema, 1963–2007
The Catabasis of Mattie Ross in the Coens' True Grit
This paper argues that the Coen Brothers' 2010 version of True Grit makes innovations to the original novel by Charles Por- tis that evoke the Greek myth of the descent to the underworld, or…
SHOWING 1-9 OF 9 REFERENCES
Inventing that "Old-Timey" Style: Southern Authenticity in O Brother, Where Art Thou?
- Art, Sociology
The author argues that the writers and directors of O Brother, Where Art Thou? address the idea of cultural authenticity in several ways—most notably in their use of diegetic and nondiegetic music—to…
Joel and Ethan Coen
Introduction: A brief portrait of the artists A different meaning for the same old song: Blood Simple The Coen brothers: Postmodern filmmakers Uncertainty principle: The Man Who Wasn't There The…
Classical Myth and Culture in the Cinema
- Art, History
Classical Myth and Culture in the Cinema is a collection of essays presenting a variety of approaches to films set in Ancient Greece and Rome and to films that reflect archetypal features of…
Something old, something new, something borrowed: The Odyssey and O Brother where art thou?
Zurück in die Zukunft via Ithaca, Mississippi: Technik und funktion der Homer-rezeption in O Brother, Where Art Thou?
Joel and Ethan Coen’s film, O Brother Where Art Thou? (2000), which claims to be “based upon ‘The Odyssey’ by Homer”, does not only aim at a broader audience, but also at recipients who are far more…
"Oh, so many startlements...": History, Race, and Myth in O Brother, Where Art Thou?
I was born in 1950 and so did not live through and have no memory of the Depression. Still, I feel in ways as if it is part of my experience, for I heard many stories of it from my parents and…
SOMETHING OLD, SOMETHING NEW, SOMETHING BORROWED …
- Political Science
Local governance is conceptualised as an ‘institutional matrix’, comprising distinct (but interacting) rule-sets, in which forces for change and continuity coexist. Different rule-sets change at…
O Brother, What Next?: Making Sense of the Folk Fad
After O Brother, Where Art Thou? spurred a surge of interest in all things folk, I got calls from friends coast to coast. Since I wrote a book about folk revivalism, they assumed I’d be thrilled to…