The Coens’ O Brother, Where Art Thou? and Homer’s Odyssey

  title={The Coens’ O Brother, Where Art Thou? and Homer’s Odyssey},
  author={Janice Siegel},
  journal={Mouseion: Journal of the Classical Association of Canada},
  pages={213 - 245}
  • Janice Siegel
  • Published 27 September 2008
  • Art
  • Mouseion: Journal of the Classical Association of Canada
4 Citations

Intertextualidad, parodia y pastiche en 'O Brother Where Art Thou?' de Joel y Ethan Coen

La película O Brother where art thou de los hermanos Coen representa un ejemplo de una serie de elecciones constructivas con referencias hacia algunos elementos culturales generales y otros

Cinematic Signatures of Orpheus and Operatic Evocations

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Joel and Ethan Coen

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Classical Myth and Culture in the Cinema

Classical Myth and Culture in the Cinema is a collection of essays presenting a variety of approaches to films set in Ancient Greece and Rome and to films that reflect archetypal features of

Zurück in die Zukunft via Ithaca, Mississippi: Technik und funktion der Homer-rezeption in O Brother, Where Art Thou?

Joel and Ethan Coen’s film, O Brother Where Art Thou? (2000), which claims to be “based upon ‘The Odyssey’ by Homer”, does not only aim at a broader audience, but also at recipients who are far more

"Oh, so many startlements...": History, Race, and Myth in O Brother, Where Art Thou?

I was born in 1950 and so did not live through and have no memory of the Depression. Still, I feel in ways as if it is part of my experience, for I heard many stories of it from my parents and


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O Brother, What Next?: Making Sense of the Folk Fad

After O Brother, Where Art Thou? spurred a surge of interest in all things folk, I got calls from friends coast to coast. Since I wrote a book about folk revivalism, they assumed I’d be thrilled to