The Artistic Practice, Protracted Publication and Posthumous Completion of Charles Alfred Stothard's Monumental Effigies of Great Britain

@article{Lindley2012TheAP,
  title={The Artistic Practice, Protracted Publication and Posthumous Completion of Charles Alfred Stothard's Monumental Effigies of Great Britain},
  author={P. Lindley},
  journal={The Antiquaries Journal},
  year={2012},
  volume={92},
  pages={385 - 426}
}
  • P. Lindley
  • Published 1 September 2012
  • History
  • The Antiquaries Journal
This paper examines the complicated circumstances surrounding the very slow production of The Monumental Effigies of Great Britain, the great masterpiece of Charles Alfred Stothard, FSA, and the various reasons why it took twenty-one years to complete. The methods and techniques Stothard adopted to produce his celebrated etchings and the evolution of his artistic style are first analysed, as is the role played by Thomas Kerrich, FSA, in the project. Next, this paper investigates the severe… 
Samuel Lysons and His Circle: Art, Science and the Remains of Roman Britain
This paper critically evaluates the social and intellectual influences which shaped Samuel Lysons’ (1763–1819) interests in the archaeological remains of Roman Britain, and assesses the extent to
Britain in the classical world: Samuel Lysons and the art of Roman Britain 1780–1820
This is a pre-copyedited, author-produced PDF of an article accepted for publication in Classical Receptions Journal following peer review. The definitive publisher-authenticated version Classical

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