The Ambivalence of French Funding

  title={The Ambivalence of French Funding},
  author={Olivier Barlet},
  journal={Black Camera},
  pages={205 - 216}
African cinema, if we discount colonial cinema, began in the independence era. The 1934 Laval Decree forbade filming in the French African colonies without prior authorization.1 Even when made by Europeans, anticolonial films were banned, notably Rene Vautier’s Afrique 50 / Africa 50 (France, 1950) for its denunciation of colonial atrocities, and the admirable play of black and white lighting that is Les Statues meurent aussi / Statues Also Die by Chris Marker and Alain Resnais (France, 1955… 
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