The Abduction of the Signifying Monkey Chant: Schizophonic Transmogrifications of Balinese Kecak in Fellini's Satyricon and the Coen Brothers’ Blood Simple

@article{Bakan2009TheAO,
  title={The Abduction of the Signifying Monkey Chant: Schizophonic Transmogrifications of Balinese Kecak in Fellini's Satyricon and the Coen Brothers’ Blood Simple},
  author={Michael B. Bakan},
  journal={Ethnomusicology Forum},
  year={2009},
  volume={18},
  pages={106 - 83}
}
  • M. Bakan
  • Published 28 May 2009
  • Art
  • Ethnomusicology Forum
This article examines the de- and re-contextualisation of 1960s audio recordings of Balinese kecak performances in two landmark films, Federico Fellini's Satyricon (1969) and Joel and Ethan Coen's Blood Simple (1984). It begins with a historical overview that situates kecak's own history as a Balinese cultural phenomenon within broader frameworks of hybridity, schizophonic and appropriative processes, and international filmmaking, devoting special attention to the contributions of Walter Spies… 
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