Technologies of Perception: Miyazaki in Theory and Practice

  title={Technologies of Perception: Miyazaki in Theory and Practice},
  author={Susan Jane Bigelow},
  pages={55 - 75}
The current Western fascination with Japanese animation can be understood in relation to the experience of the digital in cultural production that opens new avenues of understanding about the self-as-subject. Visualization to engage with the image in interactive, virtual environments involves relinquishing control to recognize the individual as emerging through the unique pattern of their relationships, both human and non-human. This reality is articulated in Eastern philosophical notions of… 

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  • B. Walsh
  • Art
    Comparative Literature: East & West
  • 2019
ABSTRACT This article explores how the concept of the Romantic sublime is presented within the filmography of acclaimed animator Hayao Miyazaki (1941-). Fronting the Japanese animation house Studio

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