Teaching Japanese Popular Culture

@inproceedings{Shamoon2016TeachingJP,
  title={Teaching Japanese Popular Culture},
  author={Deborah Shamoon},
  year={2016}
}
Japanese popular culture has arrived on American college campuses as never before. Student interest in Japanese manga (comic books), anime (animated films and television shows), and video games drives much of the enrollment in Japanese courses and Japanese majors and minors. In response to student interest, as well as the establishment of popular culture as a topic of serious academic scholarship, the demand for courses on Japanese popular culture has never been higher. Yet the number of… 
Teaching Japanese Popular Culture ed. by Deborah Shamoon and Chris McMorran (review)
Teaching Japanese Popular Culture is a multiauthor publication edited by Deborah Shamoon and Chris McMorran. The impetus for this project was generated by an international conference of the same
Are Australian fans of anime and manga motivated to learn Japanese language?
Recent research into Japanese as a foreign language education has strongly emphasized the link between Japanese popular culture and learning Japanese. However, these studies have only targeted
Anime in Schools: Going Beyond Globalization and Standards
Courses on anime have been part of the curriculum for quite a few colleges and universities in North America for over a decade. If an educator or student wants to implement anime in the K– 12
The Effect of Japanese Animation Series on Informal Third Language Acquisition among Arabic Native Speakers
Recent studies on language acquisition and motivation have targeted Japanese language learners in a formal educational context, with less attention paid to learners who study Japanese informally. The
A Multimedia Approach to Teaching Japanese Popular Culture
  • S. Furukawa
  • Computer Science
    ASIANetwork Exchange: A Journal for Asian Studies in the Liberal Arts
  • 2018
TLDR
Using the concepts of critical making, asset-based learning, and universal design for learning, it is demonstrated how these assignments enable students to utilize their strengths to develop analytical skills and achieve the goals of the course.
Challenging the Ambiguity of the Te I (Ru) Form
Language teachers’ opinions regarding the use of literature as teaching material are often polarized. Some think that literature’s complexity impedes language teaching or that it is simply

References

SHOWING 1-10 OF 16 REFERENCES
Japanese Swordfighters and American Gunfighters
Like so many Japanese critical terms, gendai-geki and jidai-geki are simultaneously precise and loose categorizations for the two major megagenres of Japanese films. Gendai-geki generally refers to
The Society for Japanese Studies Japanese Subculture in the 1990 s : Otaku and the Amateur Manga Movement
The majority of amateur manga artists are women in their teens and twenties and most of what they draw is homoerotica based on parodies of leading commercial manga series for men. From 1988, the
Why are Japanese girls' comics full of boys bonking?
When I casually mention that the most frequent representations of male homosexuality in Japan (outside the pages of the gay press) appear in manga (comics) written by and for women, I am usually met
The Animalization of Otaku Culture
Azuma Hiroki is a philosopher and cultural critic who has in recent years become a major intellectual fi gure in Japan, writing on issues as diverse as representation, art history, otaku subculture,
The Multiplanar Image
the windows. I can’t help but recall Paul Virilio’s remark, that the landscape seen from the train window is art, just as much as the works of Pablo Picasso or Paul Klee. Virilio calls the eff ect of
A New History of Japanese Cinema: A Century of Narrative Film
List of Illustrations Preface and Acknowledgements Notes on Translations Introduction 1. Cinema, Modernity and the Shochiku Tokyo Studios 2. Cinema and Nationalism 3. Cinema and the State 4. Cinema
My Father, He Killed Me; My Mother, She Ate Me: Self, Desire, Engendering, and the Mother in Neon Genesis Evangelion
Now return: Adam and Eve are still in Paradise when Samael, with a little boy in tow, accosts Eve. “Would you mind merely keeping an eye on my son?” he asks her. “I will soon return.” Eve agrees.
Unit 731: Japan's Secret Biological Warfare in World War II
Why was evidence of Japanese bacteriological and chemical warfare not presented at the Tokyo War Crimes Tribunal and what part did America play in the conver-up of these crimes?
...
1
2
...