• Corpus ID: 191334739

TAŞLICALI YAHYA BEY'İN HAMMAMİYELERİ

@inproceedings{Kaya2010TALICALIYB,
  title={TAŞLICALI YAHYA BEY'İN HAMMAMİYELERİ},
  author={I. G{\"u}ven Kaya},
  year={2010}
}

• I. Kaya
• Published 27 February 2010
• Art

OZET Hamamlarin, Turk toplumunun hayatinda ozel bir yeri ve onemi vardir. Kapali bir toplum olan Osmanli toplumunda hamamlar, bir bakima tanidiklari, e~ ve dostlari: biri birilerini uzun zamandir gorememi~ ki~ileri zaman zaman bir ara~a getirmek gibi sosyal bir islevi de yerine getirirdi. Bu bakimdan, ~urada yalnizca yikanilmaz, gergin ve yorgun vucutlarin dinlendirilmesi yaninda turlu eglenceler de duzenlenirdi. Bu ozelliklerinin yaninda pek cok supekulasyonlara ve renkli dedikodulara da sahne olan olan bu ilginc mekanin macerasi, her yaniyla sairler kadar, okuyucularin da ilgisini cekmistir. Dogal olarak yalnizca erkeklerin macerasinin yer' aldigi erkek hamamlarinda yapilan eglencelerin kimi zamanlarda asiriliga kacmasi, gunlerce suren dedikodulari, hatta bu dedikodularin sonucu hamamlarin, bir emirle bir gecede yiktirilmasi, ilgi cekici onemli olaylardJ. Hammamiyeler, bu ozellikleri itibariyle bir bakima hezliyyat turu siirlerden sayilmistir. Deli Birader Gazall (XVI), Cafer Celebi (XVI), Bursali Nihal1 Cafer Celebi (XVI), VucCidl (XVI), Pirizrenli Bahari (XVI), Yenisehirli Bellg Mehmed Emin (XVIII) ve Nedim (XVIII) gibi hezliyyat ve latifeyi seven sairlerin, bu ture ilgi gostermelerinin nedeni bir bakima, boyle aciklanabilir. Ancak FuzCili (XVI) ve Nabi (XVII) gibi agir basli sairlerin de bu ture ilgi gostermeleri, kuskusuz bu tur siirlerin halk arasinda ilgiyle karsilanmasinin bir gostergesidir Hammamiyeler, uslup ve icerik olarak didaktik soyleyisten uzak, lirik yani agir basan siirlerdir. Hangi nazim turu kullanilirsa kullanilsin, hepsinde de ortak bir hiyerarsik siralama vardir. Bu siralamada sairden degismekle birlikte siirlerin icerikleri degismezdi. XVI. yuzyilin buyuk sairlerinden olan Taslicali-Dukaginza Yahya Bey, Yavuz Sultan Selim, Kanuni Sultan Suleyman ve II. Selim donemlerinde buyuk un yapmis bir sairdir. Bir Divani ve birde Hamsesi, gunumuze kadar gelen iki buyuk eseridir. Divan'inda, gazel tarzinda yazdigi 5 beyitlik bir hammamiyesi, Hamses'inde ise, Kitiib-i Ust1l'unde 21 beyitlik, oteki 15 beyitlik hikaye tarsinda yazdigi iki hammamiyesi vardir. Biz bu calismamizda bu ornekleri ele almaga calistik. ABTRACT Turkish Batho have a particular and important place in the life of Turkish society. Turkish Baths in the Otornan society, which wasareserved society, also had a social function as bringing together acquaintances, friends and the ones who hadn't seen eachother for a long time. In this respect, in the baths people not only had baths and relaxed their nervous and tired bodies, but also several entertainments were arranged. Alang with these features, the adventure of this interesting place which experienced several speculations and colarful gassips got attention of not only the poets but also the readres. Naturaiiy, the excessive entertainment in men's bath and, the gassips abaut them, ever the destruction of the baths with an order within a night were the interesting and important events. Hammiimiyes were seen as hezliyyat-type poems for these characteristics. The reason why the poets who liked hezliyyat and joke such as Deli Biriider Gaziili (XVI), Cafer Celebi (XVI), Bursali Nihiili Cafer Celebi(XVI), Vucfidi (XVI), Prizrenli Bahiiri (XVI), Yenisehirli Belig Mehmed Emin (XVIII) and Nedim (XVIII) showed interest to this type can inaway be explained in this way. However, same dignified poets interest in this type, such as Fuzt1l1 (XVI) and Niibi (XVII) undoubtly caused people's interests for these kinds of poems to increase. Hammiimiyes are poems that are not didactic in terms of style and content; theyare mostley lyric poems. Wichever nazim (poem) type is used, all have a comman hierarchical classification. In thes classification, poets changed, but the contents of the poems didn't change. Dukaginziide Yahya Bey from Taslica, one of the greatest poets of XVI th century, was a wery famous poet during the reign of Yavuz Sultan Selim, Suleyman the Magnificient and Selim II. Divan and Hamses are the two great Works of him that are still known today. In the Divan, he has a 5 couplet hammiimiye written in the form of gazel (lyric poem); in the Hamses, he has two hammiimiyes; a 21 couplet hammiimiye in the "Kitiib-i UsUl" and a 15 couple hammiimiye writte in the form of a story. Here in our study, eve've tried to examine thesse examples.