Syllabling on instrument imitation : case study and computational segmentation method

  title={Syllabling on instrument imitation : case study and computational segmentation method},
  author={Jordi Janer and Alicia Pe{\~n}alba},
Background in Audio Processing. Voice has been widely studied in the Audio Processing field, where researchers have principally addressed jointly analysis/synthesis with the aim of creating human-like singing synthesis. However, an appropriate analysis of the voice signal, let us also explore other musical uses. One example are voice-controlled digital synthesizers that use nonsense syllables. Looking at the literature, Sundberg [1] has studied the use of syllables in spontaneous nonsense text… CONTINUE READING


Publications citing this paper.

Paralinguistic Microphone

View 3 Excerpts
Highly Influenced


Publications referenced by this paper.
Showing 1-10 of 12 references

Musical Significance of Musicians' Syllable Choice in Improvised Nonsense Text Singing: A Preliminary Study, Phonetica

J. Sundberg
View 3 Excerpts
Highly Influenced

Onomatopoeia and Beyond: a Study of the Luogu Jing of the Beijing Opera

D. Li
Ph.D. dissertation,UCLA, • 2001
View 1 Excerpt

No nonsense: the logic and power of acoustic-iconic mnemonic systems

D. Hughes
British Journal of Ethnomusicology, • 2000
View 1 Excerpt

Música latinoamericana y caribeña

Z. Gómez, V. Eli
La Habana: Pueblo y Educación • 1995
View 2 Excerpts

Principles of Phonetics

J. Laver
View 1 Excerpt

Nonsense Syllables in the Music of the Ancient Greek and Byzantine Traditions

D. Touliatos
Journal of Musicology, • 1989

The New Grove Dictionary of Jazz. 2 vols., New York: Grove Dictionaries

B. Kernfield
View 2 Excerpts

Similar Papers

Loading similar papers…