• Corpus ID: 14134944

Soundscape composition : the convergence of ethnography and

@inproceedings{Drever2013SoundscapeC,
  title={Soundscape composition : the convergence of ethnography and},
  author={John Levack Drever},
  year={2013}
}
John Levack Drever Organised Sound / Volume 7 / Issue 01 / April 2002, pp 21 ­ 27 DOI: 10.1017/S1355771802001048, Published online: 24 September 2002 Link to this article: http://journals.cambridge.org/abstract_S1355771802001048 How to cite this article: John Levack Drever (2002). Soundscape composition: the convergence of ethnography and acousmatic music. Organised Sound, 7, pp 21­27 doi:10.1017/S1355771802001048 Request Permissions : Click here 
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References

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Anthropologist Georgina Born presents one of the first ethnographies of a powerful western cultural organization, the renowned Institut de Recherche et de Coordination Acoustique/Musique (IRCAM) in…

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This article approaches the definition of the important term 'acousmatic' by reference to its origins in the sound studios of the French National Radio. The links from France to Québec are outlined…

Discography

Murail, T. (1978) Mémoire/Erosion, Ethers, C’est un jardin secret. . [Recorded by Ensemble L’Itinéraire cond. by J. Mercier and C. Bruck] [LP, Sappho S003]. France: Sappho. Murail, T.…

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Among the nations of the world, France is the one where studios for electroacoustic research and production are most numerous, and among the most active: it may be in Paris (GRM), in Bourges (GMEB),…