Snow White: Critics and Criteria for the Animated Feature Film

@article{Frome2013SnowWC,
  title={Snow White: Critics and Criteria for the Animated Feature Film},
  author={Jonathan Frome},
  journal={Quarterly Review of Film and Video},
  year={2013},
  volume={30},
  pages={462 - 473}
}
  • Jonathan Frome
  • Published 20 June 2013
  • Art
  • Quarterly Review of Film and Video
Snow White and the Seven Dwarfs (1937) is one of the most-discussed films in animation studies, and one of the most historically significant films of all time. Leonard Maltin notes, “There is no way to overstate the effect of Snow White and the Seven Dwarfs on the film industry, the moviegoing public, and the world in general.”1 The film single-handedly created a new genre, was the biggest moneymaker of all time after its initial run, and has been re-released in theaters more than any other… Expand
Walt Disney, Snow White , and the Trauma of the Real
The monumental success of Snow White (1937) would come to haunt Walt Disney in later years. By his own estimation, not one of the films that followed could ever compare to the film’s near-perfectExpand
ANIMATED DOCUMENTARY: A DRAMATIC ART OF DOCUMENTARY STORYTELLING
Animation, unlike live-action, offers much more flex ibility to tell a story through enhanced visual as well as aesthetic demonstrations. Besides, the medium can op erate in a factual context toExpand
Student Independent Projects Social Cultural Studies 2015: The Power of Disney: History, Gender & Disney Princesses
Walt Disney has been argued as the most influential American entertainer in the 20th century. Disney has been critiqued on their representations gender and gender roles in each of their films. TheExpand
Investigating the Possible Effects of Disney Princess Culture on Young Women: Approach, Ideals, and Gender Roles Within Intimate Relationships
Disney Princess culture (DPC) conveys strong messages regarding the criteria of a model intimate relationship through the repetition of themes within the Disney Princess movies (DPM). Children haveExpand

References

SHOWING 1-10 OF 63 REFERENCES
The Changing Space of Animation: Disney's Hybrid Films of the 1940s
In the early 1940s, Disney animation underwent a critical reassessment, one in which commentators who had previously praised Disney's efforts, particularly for the studio's realistic advances, beganExpand
The Animated Man: A Life of Walt Disney
Plates Preface Acknowledgments Introduction: "It's All Me" 1 "The Pet in the Family" On the Farm and in the City, 1901--1923 2 "A Cute Idea" The Self-Taught Filmmaker, 1923--1928 3 "You've Got toExpand
Hollywood Highbrow: From Entertainment to Art
maintain a home altar, visibly pray the rosary in front of other family members and instruct children in the sacraments, are engaging in behaviors that not only happen to be religious, but alsoExpand
Snow White in 1930s Britain
This is the definitive version of the article as published by Edinburgh University Press in Journal of British Cinema and Television. Volume 7, Page 183-199 DOI 10.3366/jbctv.2010.0001 Expand
Motion pictures
Cell MovementsBy Dennis Bray Garland: 1992. Pp. 406. $44.95 (hbk); $27.95 (pbk). (Distributed by European Book Services.)Molecules of the CytoskeletonByLinda Amos W. Bradshaw Amos Macmillan/GuilfordExpand
Movies of the month
Mickey, Walt, and Film Criticism from Steamboat Willie to Bambi,
  • Maltin, The Disney Films,
  • 1980
...
1
2
3
4
5
...