Rockin’ Out: Expressive Modulation in Verse-Chorus Form

@article{Doll2011RockinOE,
  title={Rockin’ Out: Expressive Modulation in Verse-Chorus Form},
  author={Christopher Doll},
  journal={Music Theory Online},
  year={2011},
  volume={17}
}
  • C. Doll
  • Published 1 October 2011
  • Art
  • Music Theory Online
Example 1. "Jailhouse Rock," Elvis Presley (1957)(click to enlarge and listen )[1] Example 1 offers a snippet from the opening of Elvis Presley's original recording of Jerry Leiber and Mike Stoller's 1957 classic "Jailhouse Rock." An essential expressive moment in this excerpt comes at the onset of the chorus, which differs notably from the verse in a number of ways. As regards texture, the verse features solo voice accompanied only by instrumental punctuations, whereas the chorus elicits… 
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Covach 2005) describes “Jailhouse Rock” purely as a 16-bar blues, with no mention of anything resembling a refrain
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