• Corpus ID: 193716077

Representations of Antonín Dvořák: A Study of his Music through the Lens of Late Nineteenth-century Czech Criticism

@inproceedings{Branda2014RepresentationsOA,
  title={Representations of Anton{\'i}n Dvoř{\'a}k: A Study of his Music through the Lens of Late Nineteenth-century Czech Criticism},
  author={Eva Branda},
  year={2014}
}
realms proved to be a stumbling block for the reception of his works in other genres. Karin Stöckl-Steinebrunner observes that certain Viennese critics were reluctant to accept Dvořák’s symphonic poems because they felt that Dvořák had abandoned their cause. Dvořák also struggled on more than one occasion to break through in the realm of opera, as is evident by the aborted plans for performances of Vanda (1875) and Rusalka (1901) at the Vienna Hofoper. The 1885 production of Dvořák’s The… 

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