Reading the Musical Surreal through Poulenc's Fifth Relations

@article{Donaldson2020ReadingTM,
  title={Reading the Musical Surreal through Poulenc's Fifth Relations},
  author={James Sir Donaldson},
  journal={Twentieth-Century Music},
  year={2020},
  volume={17},
  pages={127 - 160}
}
Abstract This article develops a method of understanding concepts from the Parisian Surrealist movement in music using Poulenc's treatment of cadences and fifth relations as a case study. Although music was rejected by the group's figurehead André Breton as ‘the most profoundly confusing’ of all arts, many composers were keenly involved in Surrealist circles. Notably, Poulenc's acquaintance with major figures led him to set much of their literary work. But his engagement with their aesthetic… 

References

SHOWING 1-10 OF 76 REFERENCES
Untwisting the Serpent: Modernism in Music, Literature, and Other Arts
From its dissonant musics to its surrealist spectacles (the urinal is a violin!), Modernist art often seems to give more frustration than pleasure to its audience. In this text Daniel Albright shows
Thomas Adès and the Dilemmas of Musical Surrealism
Discussions of the music of Thomas Ades (b. 1971) have seized on the idea of “surrealism” as an explanatory means to characterize music from across his career. This essay traces the development and
Musical Meaning in Beethoven: Markedness, Correlation, and Interpretation
Foreword by David Lidov Preface Introduction Part I. Interpretation and Theory I. A Case Study for Interpretation The Third Movement of Op. 106 (Hammerklavier) II. Correlation, Interpretation, and
The Routledge Research Companion to Modernism in Music
A century on from its first flowering, musical modernism still arouses passions and is riven by controversies. Taking root in the early decades of the twentieth century, it achieved ideological
ON THE RELATION OF MUSICAL TOPOI TO FORMAL FUNCTION
The theory of musical topoi (or topics) has emerged in recent decades as a powerful tool for the analysis of musical expression within tonal repertories. Largely originating in Leonard Ratner’s
The Classical Cadence: Conceptions and Misconceptions
The article examines notions traditionally attached to the concept of cadence in general, retains those features finding genuine expression in "the classical style" (as defined by the instrumental
Markedness and a theory of musical expressive meaning
Markedness theory provides, within the framework of a Peircean semiotic, a means of explaining expressive meaning in music. Asymmetrical marked-unmarked structural oppositions correlate with
«La plus grande audace à notre époque: être simple». Simplicity, Subversion and Intimations of the Surreal in Francis Poulenc’s Early Collaborations with Jean Cocteau
This article discusses the concept of simplicity in Cocardes and other early works by Poulenc created in collaboration with Jean Cocteau. Drawing together strands ranging chronologically and
Pierre Boulez, Surrealist
Pierre Boulez’s creative output has usually been studied from a music analytical perspective in the context of serialism, but I contend that the French literary and broader intellectual context was
The Danger Of Music And Other Anti-Utopian Essays
Et in arcadia ego, or, I didn't know I was such a pessimist until I wrote this thing -- Only time will cover the taint -- "Nationalism" : colonialism in disguise? -- Why do they all hate Horowitz? --
...
1
2
3
4
5
...