Interaction of Pitch and Duration Processing by Non-Musicians in Reading Musical Notation
- PsychologyPerceptual and motor skills
A Stroop-like task was used and the interference effect of the irrelevant dimension on the relevant dimension was obvious for number of errors and reaction times, consistent with pitch and duration being processed interdependently and reconciles with the theory of dynamic attention.
Visual Processing of Music Notation: A Study of Event-Related Potentials
- Biology, PsychologyPerceptual and motor skills
It was observed that in the early stage of note reading, identification of pitch could elicit greater N1 and N2 amplitude than identification of duration at the parietal lobe electrodes, while the duration task did not elicit greater amplitude of any early ERP components than the pitch task at temporal electrodes.
The effect of task and pitch structure on pitch-time interactions in music
- PsychologyMemory & cognition
It is argued that tonal contexts bias attention toward pitch and eliminate effects of temporal variation, whereas atonal contexts do not, thus fostering pitch-time interactions.
Let's face the music: a behavioral and electrophysiological exploration of score reading.
Reading diatonic violations in a musical score elicits similar endogenous ERP components when hearing such violations in the auditory modality, but the ERP associated with the measure where a violation was presented showed a negativity instead.
Effects of Pitch and Rhythm Priming Tasks on Accuracy and Fluency During Sight-Reading
- PsychologyJournal of Research in Music Education
The purpose of this study was to investigate the effects of pitch and rhythm priming tasks on sight-reading accuracy and fluency. High school wind instrumentalists (N = 182) were assigned to one of…
Syntax in a pianist's hand: ERP signatures of “embodied” syntax processing in music
Visually Induced Auditory Expectancy in Music Reading: A Behavioral and Electrophysiological Study
- PsychologyJournal of Cognitive Neuroscience
Results showed clearly that musicians are able to expect tonal auditory endings based on visual information and are also able to do so for atonal endings, although to a smaller extent.
A selective deficit in the production of exact musical intervals following right‐hemisphere damage
- PsychologyCognitive neuropsychology
This is the first detailed description of a dissociation between encoding and retrieval of melodic intervals in music, and the case of a 55‐year‐old high‐level amateur musician, IP, who had suffered a right‐hemisphere stroke.
Dissociation between melodic and rhythmic processing during piano performance from musical scores
- Biology, PsychologyNeuroImage
That does not sound right: Sounds affect visual ERPs during a piano sight-reading task
- PsychologyBehavioural Brain Research
SHOWING 1-10 OF 41 REFERENCES
Processing Pitch and Temporal Structures in Music Reading: Independent or Interactive Processing Mechanisms?
Music provides a useful domain in which to study how the different attributes of complex multidimensional stimuli are processed both separately and in combination. Much research has been devoted to…
A common neural substrate for the analysis of pitch and duration pattern in segmented sound?
- Biology, PsychologyNeuroreport
A strikingly similar bilateral neural network is demonstrated that is right lateralised and includes the cerebellum, posterior superior temporal cortices, and inferior frontal cortices for both pitch- and duration-sequence analysis.
Tempo discrimination of musical patterns: Effects due to pitch and rhythmic structure
- PsychologyPerception & psychophysics
Results indicated that, relative to their standard referents, comparison melodies were judged to unfold more slowly when they displayed more changes in pitch direction, greater pitch distances, and an incompatible rhythmic accent structure.
Studying expertise in music reading: Use of a pattern-matching paradigm
- PsychologyPerception & psychophysics
Findings suggest that skilled sight-reading is associated with an ability to rapidly perceive notes or groups of notes in the score, and confirm that the pattern-matching paradigm is a useful tool in examining expertise in music reading.
The processing of temporal and nontemporal information in the remembering of event durations and musical structure.
- PsychologyJournal of experimental psychology. Human perception and performance
The results indicate that the nature of encoding is strongly dependent on the structure of environmental events and the degree of learning experience, which has implications for theories of both music cognition and time estimation behavior.
Pitch and Duration as Determinants of Musical Space
In an experiment aimed at assessing dimensional properties of musical space, musicians rated the similarity of pairs of brief melodies on a 9-point scale. From our review of previous work, we…
Processing of local and global musical information by unilateral brain-damaged patients.
- PsychologyBrain : a journal of neurology
Evidence of double dissociation between the processing of the pitch dimension and theprocessing of rhythm was obtained, providing further support for the need to fractionate musical perceptual abilities in order to arrive at a theory as to how the two hemispheres cohere to produce a musical interpretation of the auditory input.
Event-related potentials elicited by wrong terminal notes: effects of temporal disruption
- PsychologyBiological Psychology
Dissociation in Musical Reading: A Musician Affected by Alexia without Agraphia
Previous works have postulated a similarity between music reading and text reading. Therefore it is interesting to evaluate both of these functions in an alexic subject. The patient investigated is a…