Postfeminist Cliques?: Class, Postfeminism, and the Molly Ringwald-John Hughes Films

@article{Bleach2010PostfeministCC,
  title={Postfeminist Cliques?: Class, Postfeminism, and the Molly Ringwald-John Hughes Films},
  author={Anthony C. Bleach},
  journal={Cinema Journal},
  year={2010},
  volume={49},
  pages={24-44}
}
  • Anthony C. Bleach
  • Published 2010
  • Art
  • Cinema Journal
  • In order to reconsider the ways in which social class is articulated in 1980s postfeminist culture, this article investigates three iconic films starring Molly Ringwald: Sixteen Candles (John Hughes, 1984), The Breakfast Club (Hughes, 1985), and Pretty in Pink (Howard Deutch, 1986). 

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