Perception of just-noticeable time displacement of a tone presented in a metrical sequence at different tempos
@article{Friberg1992PerceptionOJ, title={Perception of just-noticeable time displacement of a tone presented in a metrical sequence at different tempos}, author={Anders Friberg and Johan Sundberg}, journal={Journal of the Acoustical Society of America}, year={1992}, volume={94}, pages={1859-1859} }
The jnd for a perturbation of the timing of a tone appearing in a metrical sequence was examined in an experiment, where 30 listeners of varied musical background were asked to adjust the timing of the fourth tone in a sequence of six, such that they heard the sequence as perfectly regular. The tones were presented at a constant interonset time that was varied between 100 and 1000 ms. The average jnd was found to be about 10 ms for tones shorter than about 240‐ms duration and about 5% of the…
28 Citations
Memory for musical tempo: Additional evidence that auditory memory is absolute
- PsychologyPerception & psychophysics
- 1996
It is shown that memory for music seems to preserve the absolute tempo of the musical performance, and it is found that folk songs lacking a tempo standard generally have a large variability in tempo; this counters arguments thatMemory for the tempo of remembered songs is driven by articulatory constraints.
The Psychology of Music: Rhythm and Movement.
- Psychology, ArtAnnual review of psychology
- 2018
This article reviews studies addressing rhythm, meter, movement, synchronization, entrainment, the perception of groove, and other temporal factors that constitute a first step to understanding how and why music literally moves us.
Estimating Onset and Offset Asynchronies in Polyphonic Score-Audio Alignment
- Computer Science
- 2014
An algorithm to improve the accuracy of dynamic time warping-based score-audio alignment for monaural polyphonic recordings by providing estimates of individual onsets and offsets in notated simultaneities is described.
Prominence clash does not induce rhythmic adjustments in Italian
- Psychology
- 2020
We present experimental evidence that, contrary to common belief, speakers of Italian do not adjust prominence to avoid clashes. Speakers of some languages (e.g. English, Italian) are believed to…
STRATEGIES TOWARDS THE AUTOMATIC ANNOTATION OF CLASSICAL PIANO MUSIC
- Computer Science
- 2010
Dynamic Time Warping is applied for audio-to-score alignment to extract the onset times of all individual notes within an audio recording, and two strategies for improving accuracy are compared, including a divide and conquer pattern.
The perception of audio-visual composites: Accent structure alignment of simple stimuli
- Psychology
- 2005
In contemporary society, the human sensory system is bombarded by sounds and images intended to attract attention, manipulate state of mind, or affect behavior.1 Patients awaiting a medical or dental…
Improving Accuracy of Polyphonic Music-to-Score Alignment
- Computer ScienceISMIR
- 2009
It is shown that this method is feasible of increasing the accuracy of aligned note’s onsets which are already aligned relatively near to the real note attack, however it is so far not suitable for the detection and correction of outliers which are displaced by a large timespan.
Speech , Music and Hearing Quarterly Progress and Status Report The KTH rule system for singing synthesis
- Computer Science
- 2007
Rules controlling the singing synthesis at the Department of Speech Communication and Music Acoustics at the Royal Institute of Technology (KTH) in Stockholm are described.
ESTIMATING THE ERROR DISTRIBUTION OF A TAP SEQUENCE WITHOUT GROUND TRUTH 1
- Physics
- 2010
Detecting beats, estimating tempo, aligning scores to audio, and detecting onsets are all interesting problems in the field of music information retrieval. In much of this research, it is convenient…
References
SHOWING 1-10 OF 17 REFERENCES
The perception of expressive timing in music
- BusinessPsychological research
- 1989
A case is made for regarding timing in music as both a medium to convey structure and an object in its own right, suggesting that it may be perceptually organized in two different ways — as the consequence of a structural interpretation and as a directly registered quantity.
Probing the cognitive representation of musical time: Structural constraints on the perception of timing perturbations
- PsychologyCognition
- 1992
Studies in auditory timing: 2. Rhythm patterns
- PsychologyPerception & psychophysics
- 1990
Listeners discriminated between 6-tone rhythmic patterns that differed only in the delay of the temporal position of one of the tones, suggesting that different models of performance are needed to explain behavior at the different tempos.
Time as heard in speech and music
- PsychologyNature
- 1974
Their talent for music and speech shows that in this brief storage the authors possess, with a working range of a second or so, a comprehension of those things they have just heard, arranged quite accurately in true time relationship.
Studies in auditory timing: 1. Simple patterns
- PhysicsPerception & psychophysics
- 1990
Listeners’ accuracy in discriminating one temporal pattern from another was measured in three psychophysical experiments, and there is some evidence that interval discrimination is relatively poorer for the tone with the different frequency.
The Communication of Musical Metre in Piano Performance
- Psychology
- 1983
Six pianists of varying levels of experience were required to give repeated performances of a note sequence presented for sight-performance under two conditions. The two conditions differed only in…
Tempo sensitivity in auditory sequences
- Psychology
- 1992
Differential thresholds for 11 tempi (ranging from 100 to 1500 ms between successive onsets) were measured for four subjects using a 2AFC paradigm. In a first experiment, the number of events in the…
A Model of Expressive Timing in Tonal Music
- Art
- 1985
During a performance, a pianist has direct control over only two variables, duration and intensity (Seashore, 1938). Other factors such as pitch and timbre are determined largely by the composer and…
Diversity and commonality in music performance: an analysis of timing microstructure in Schumann's "Träumerei".
- PsychologyThe Journal of the Acoustical Society of America
- 1992
The striking individuality of two legendary pianists, Alfred Cortot and Vladimir Horowitz, is objectively demonstrated here, as is the relative eccentricity of several other artists.