Oulipo | vs | Recombinant Poetics

  title={Oulipo | vs | Recombinant Poetics},
  author={Bill Seaman},
This paper compares and contrasts approaches to combinatorics in OULIPO and Recombinant Poetics. OULIPO, also known as Ouvroir de Litrature Potentielle, is a literary and artistic association founded in the 1960s whose combinatoric methods and experimental concepts continue to be generative and relevant to this day. Recombinant Poetics is a term that I coined in 1995 in order to define a particular approach to emergent meaning that is used in generative virtual environments and other computer… 

Co-operative OuLiPian Generative Literature using Human Based Evolutionary Computing

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Drafting poems: inverted potentialities

This work builds on a rich tradition of algorithmic poetry, but its focus on the creation of meaning represents a fundamentally different expressive goal and hence Drafting Poems signifies a new movement, the AI Aesthetic.

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The Hybrid Invention Generator was a generative artwork that enables the creation of new inventions through a computer-based hybridforming mechanism and Gideon May, a computer programmer and artist was solicited to bring the work to fruition.

Succession : A generative approach to digital collections

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New Ideas Emerge When Collaboration Occurs

This paper provides some examples demonstrating the value for industry of funding and working with artists on research projects. It discusses how art research and industry can mutually benefit from



A Thousand Plateaus: Capitalism and Schizophrenia

Translator's Foreword: Pleasures of Philosophy Notes on the Translation and Acknowledgements Author's Note 1. Introduction: Rhizome 2. 1914: One or Several Wolves? 3. 10,000 BC: The Geology of Morals

Capitalism and Schizophrenia I

Labor as represented in private property has, as its correlate, subjective abstract Desire as represented in the privatized family. Psychoanalysis undertakes the analysis of this second term, as

Wireless Imagination: Sound, Radio, and the Avant-Garde

Wireless Imagination addresses perhaps the most conspicuous silence in contemporary theory and art criticism, the silence that surrounds the polyphonous histories of audio art. Composed of both

Semiotics of visual language

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Memory and Oulipian Constraints

Utopian Plagiarism, Hypertextuality, and Electronic Cultural Production

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