On Liking Aesthetic Value

@article{Gorodeisky2019OnLA,
  title={On Liking Aesthetic Value},
  author={Keren Gorodeisky},
  journal={Philosophy and Phenomenological Research},
  year={2019}
}
  • Keren Gorodeisky
  • Published 17 September 2019
  • Art
  • Philosophy and Phenomenological Research
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13 Citations
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13 Citations

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  • J. Grant
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Cavendish’s Aesthetic Realism
This paper offers a new interpretation of Margaret Cavendish’s remarks on beauty. According to it, Cavendish takes beauty to be a real, response-independent quality of objects. In this sense,…
Two dogmas of aesthetic empiricism
Must Reasons Be Either Theoretical or Practical? Aesthetic Criticism and Appreciative Reasons
ABSTRACT A long debate in aesthetics concerns the reasoned nature of criticism. The main questions in the debate ask whether criticism is based on (normative) reasons, whether critics communicate…
Aesthetic obligations
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Art Forms Emerging: An Approach to Evaluative Diversity in Art
Artworks are rationally evaluable and comparable within their art form, but not from outside. Beethoven's string quartets cannot be evaluated against works of Hindustani music. This is the problem…
Aesthetic Reasons and the Demands They (Do Not) Make
What does the aesthetic ask of us? What claims do the aesthetic features of the objects and events in our environment make on us? My answer in this paper is: that depends. Aesthetic reasons can…
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There seems to be a deep tension between two aspects of aesthetic appreciation. On the one hand, we care about getting things right. Our attempts at aesthetic judgments aim at correctness. On the…
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This book challenges received views about pleasures as principally motivating of action, themselves unanalyzable, caused, rather than responsive to reasons, and perhaps because of that, antithetical…
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Horror and Hedonic Ambivalence
New Prospects for Aesthetic Hedonism
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Art Criticism as Practical Reasoning
Hume and the Value of the Beautiful
Hume is plausibly interpreted as asserting that an artwork is beautiful if and only if it pleases ideal critics. Jerrold Levinson maintains that Hume's commitment to this biconditional gives rise to…
The Problem of Non‐Perceptual Art
Consider the following three propositions: (R) Artworks necessarily have aesthetic properties that are relevant to their appreciation as artworks. (S) Aesthetic properties necessarily depend, at…
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