My Mind Split Open: Andy Warhol's Exploding Plastic Inevitable

  title={My Mind Split Open: Andy Warhol's Exploding Plastic Inevitable},
  author={Branden Wayne Joseph},
  journal={Grey Room},

Interstitial space : the Eagle Document : performativity and spatio-temporal assemblage in the contemporary moving image installation space (MIS)

The thesis investigates the perceptive modalities constituted by the multi-screen projection installation 'The Eagle Document' and its architectural and spatial forms.

The Emergence of Creative Leaders Within Social Networks: The Case of Andy Warhol in the Art World of New York

This paper incorporates the leader emergence processes of achievement and ascription, and then adjusts them to the context of the art world, arguing that both competence and identity contribute to the status construction of creative leaders by enabling their emergence within social networks.


Screen Genealogies

Against the grain of the growing literature on screens, Screen Genealogies argues that the present excess of screens cannot be understood as an expansion and multiplication of the movie screen nor of

Reconciling Video and Film in Frank Gillette and Ira Schneider's Wipe Cycle

  • R. Navarro
  • Political Science
    Journal of Film and Video
  • 2019
Power is no longer measured in land, labor, or capital, but by access to information and the means to disseminate it. As long as the most powerful tools (not weapons) are in the hands of those who

S+V+M: Relationships between the Sound, Visual and Movement domains in Interactive Systems

A new framework, S+V+M (Sound+Visual+Movement), that aims to classify interactive artworks based on the flow of data through their system, providing a high level of abstraction by looking at the inputs and outputs, transformations, and data flows occurring inside the interactive system.

Church or Factory: Radical Inclusivity and Vanguard Practice in 1960s New York

Art historians have often discussed Andy Warhol's Factory as a unique creative space in 1960s Manhattan. Similarly, scholars of dance and performance have provided valuable insight into the vanguard

Massage, c. 1966*

Tied to the body, the word “massage” in the mid-1960s was also associated with media, as well as the idea of mass manipulation. Framed through the work of the media theorist Marshall McLuhan and the



Letters to John Cage

The following letters, written by Robert Morris to John Cage over a period of three years beginning in 1960, are currently located at the John Cage Archive at the Northwestern University Music

A Voyage on the North Sea: Art in the Age of the Post-Medium Condition

Based on the 1999 Walter Neurath Memorial Lecture, this book uses the work of the Belgian artist Marcel Broodthaers to argue that the specifity of mediums, even modernist ones, can never be simply

Andy Warhol Interview

Charles and Ray Eames: Designers of the Twentieth Century

Charles and Ray Eames, perhaps the most famous design partnership of twentieth-century America, did pioneering work in furniture, film, architecture, and exhibition design. Out of respect for

Understanding Media: The Extensions of Man

This reissue of Understanding Media marks the thirtieth anniversary (1964-1994) of Marshall McLuhan's classic expose on the state of the then emerging phenomenon of mass media. Terms and phrases such

The Velvet Underground," Vibrations

  • Brutal Assemblage,"
  • 1966

On the Plastic Inevitables and the Strobe Light" (26 May 1966), in Movie Journal: The Rise of a New American Cinema

  • 1972

Nothing to Lose: An Interview with Andy Warhol

  • Andy Warhol: Film Factory, ed. Michael O'Pray (London: British Film Institute,
  • 1989