• Corpus ID: 169165964

Music and the Muses: The Culture of ’Mousike’ in the Classical Athenian City by Penelope Murray and Peter Wilson edd.

@article{Murray2004MusicAT,
  title={Music and the Muses: The Culture of ’Mousike’ in the Classical Athenian City by Penelope Murray and Peter Wilson edd.},
  author={Penelope Murray and Peter H. Wilson and Massimo Raffa},
  journal={Aestimatio : Critical Reviews in the History of Science},
  year={2004},
  volume={2},
  pages={108-118}
}
Introduction PART I: MOUSIKE AND RELIGION 1. Muses and Mysteries 2. Changing choral worlds: song-dance and society in Athens and beyond 3. Song-dance and state-pilgrimage at Athens 4. Dancing the pyrrhikhe PART II: MOUSIKE ON STAGE 5. Choral prayer in Greek tragedy: euphemia or aischrologia? 6. Choral forms in Aristophanic comedy: musical mimesis and dramatic performance in classical Athens 7. Transforming the nightingale: aspects of Athenian musical discourse in the late fifth century PART III… 

The styles and voices of non-dramatic Greek poetry in the fourth century BC

This thesis is an investigation into the styles and voices of the non-dramatic Greek poetry of the fourth century BC. This has been a neglected area of study in Greek literary history, and the extant

Dancing with the Stars : Choreia in the Third Stasimon of Euripides’ Helen

A s heLen and meneLaus make their way toward the Egyptian shore and the boat that will take them back to Greece, the chorus of captive Greek women performs its third and final stasimon, singing of

The Biblical Odes and the Text of the Christian Bible: A Reconsideration of the Impact of Liturgical Singing on the Transmission of the Gospel of Luke

Sung in Christian liturgies from the earliest period, biblical Odes—a set of songs excerpted from the biblical and apocryphal books—were central to emerging Christian practices and texts, yet their

Fables and Frames: The Poetics and Politics of Animal Fables in Hesiod, Archilochus, and the Aesopica

<p class="summaryheading"><span class="summaryheading">This article explores four animal fables in the Greek sources:</span></p><p> Hesiod’s <i>ainos</i> at <i>Works and Days</i> 202–12, two fables

Aristoxenus Elements of rhythm: text, translation, and commentary with a translation and commentary on POxy 2687

OF THE DISSERTATION Aristoxenus’ Elements of Rhythm: Text, Translation, and Commentary with a Translation and Commentary on POxy 2687 By Christopher C. Marchetti Dissertation Director: Prof. Thomas

Archaeology of Ancient Greek Music: From Reconstructing Instruments to Deconstructing Concepts

This paper explores the implications archaeology can carry in view of our knowledge about ancient Greek music. In the 'classical' historical-philological perspective, archaeology of music mainly

Music and Language in Ancient Verse: The Dynamics of an Antagonistic Concord

In antiquity, the relationship between “music”, “poetry”, and “language” was very different from the way they relate to each other today, for back then each of these mediums was endowed with a

Music in Rites. Some Thoughts about the Function of Music in Ancient Greek Cults

This paper deals with the important role of music in ancient Greek cult practices. It will explore the types of music that were played and research the effect music may have had on specific cult

Visualizing the Cologne Sappho: Mental Imagery Through Chorality, the Sun, and Orpheus

In the Cologne papyrus poems Sappho builds her poetic discourse on very specific cultural and visual patterns that help to shape cognitive reception through mental imagery, particularly in oral

Before the Première: Recording the Performance of Ancient Greek Drama

Ancient Greek theatre, a multimedia spectacle (originally conceived for a unique performance) which involved words, music, gestures, and dance, has always been a challenge for scholars investigating
...