Morimura Yasumasa—Portrait (Futago)

@article{Michiko2012MorimuraY,
  title={Morimura Yasumasa—Portrait (Futago)},
  author={Kasahara Michiko and Lena Fritsch},
  journal={Art in Translation},
  year={2012},
  volume={4},
  pages={499 - 512}
}
Abstract Works by the Japanese artist Morimura Yasumasa have the potential to make the viewer smile. In the 1988–90 self-portrait, Portrait (Futago [Twins]), which appropriates Manet’s Olympia (1863), Morimura is disguised as a Western female prostitute, thereby reversing the relationship of looking versus being looked at, and overturning racial standards and the premise of heterosexuality that underlie Manet’s work. The inversion of values relating to the politics of the gaze, sexuality, race… Expand

References

SHOWING 1-6 OF 6 REFERENCES
The Nude: A Study in Ideal Form
From the art of the Greeks to that of Renoir and Moore, this work surveys the ever-changing fashions in what has constituted the ideal nude as a basis of humanist form.
Bijutsu no kaibō gaku kō gi
  • 1996
Bijutsu no kaibōgaku kōgi [Lectures on the Anatomy of Art] (Tokyo: Chikumashobō
  • 1996
Bijutsu no kaibō gaku kō gi
    Kansai is the southeastern area of Japan's main island, Honshū ; its best-known cities include Osaka and Kyoto. Morimura Yasumasa lives and works in Osaka
      Yoshimoto refers to the Osaka production firm Yoshimoto Kō gyō , well known in Japan, which trains and manages comedians and entertainers