Mickalene Thomas

@article{Murray2014MickaleneT,
  title={Mickalene Thomas},
  author={Derek Conrad Murray},
  journal={American Art},
  year={2014},
  volume={28},
  pages={9 - 15}
}
  • D. Murray
  • Published 1 March 2014
  • Art
  • American Art
This essay considers how discussions of gender, race, and sexual difference converge in the work of celebrated multimedia artist Mickalene Thomas. Thomas is part of a contingent of African-American contemporary artists associated with the controversial term post-black: a highly contested terminology meant to characterize the aesthetic and conceptual specificities of post-Civil Rights-generation visual artists. Often mischaracterized as a post-racial stance, post-black captures the shifting… 
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For more information about the convergence of race, gender, and sexuality as it pertains to visual representation, see bell hooks
  • Also see Amelia Jones, Seeing Differently: A History and Theory of Identification and the Visual Arts
  • 2000
Postfeminism, Feminist Pleasures, and Embodied Theories of Art
  • New Feminist Criticism: Art, Identity, Action
  • 1994