Meter in Music, 1600-1800: Performance, Perception and Notation

@inproceedings{Houle1987MeterIM,
  title={Meter in Music, 1600-1800: Performance, Perception and Notation},
  author={George Houle},
  year={1987}
}
Introduction 1. The Origins of the Measure in the Seventeenth Century 2. Time Signatures in the Eighteenth Century 3. Rhythmopoeia: Quantitative Meters in Poetry and Music 4. Quantitas Intrinseca: The Perception of Meter 5. Articulation of Quantitative Meter 6. Accent as Measure Articulation and as Measure Definition Appendix: Rhythmopoeia according to Johann Mattheson and Wolfgang Caspar Printz Notes Bibliography Index 

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