Marketing Ingrid Bergman

  title={Marketing Ingrid Bergman},
  author={David W. Smit},
  journal={Quarterly Review of Film and Video},
  pages={237 - 250}
  • D. Smit
  • Published 1 July 2005
  • Art
  • Quarterly Review of Film and Video

Ingrid Bergman, “The Maria Cut,” and the Construction of a Hollywood Persona

Abstract Hair, or rather its cutting, styling, and dressing, operates as a powerful cultural form in cinematic practices and filmic discourses. This essay explores the richness of this resource and

“Very Female, with the Allure of a Foreign Aura”: Vocality, Gender, and European Exoticism in the US Careers of Alice Babs and Caterina Valente

  • Mikkel Vad
  • History
    Journal of the Society for American Music
  • 2021
Abstract “How can America import ‘American’ jazz?,” asked the music editor of Good Housekeeping, George Marek, in 1956. Marek answered, “Singers, particularly if they are very female, give the

Ingrid Bergman's Star Persona and the Alien Space of Stromboli

This essay looks at the trajectory of Ingrid Bergman's star persona, from 1930s Sweden to 1940s Hollywood to Rossellini's Italy, with particular focus on the later part of the 1940s in Hollywood and



Ingrid Bergman: My Story

Ingrid Bergman - winner of three Academy Awards - tells her own story both onstage and off. The book describes her relationships with the characters she knew and worked with, including Selznick,