Lost in a book: Jane Austen's Persuasion

  title={Lost in a book: Jane Austen's Persuasion},
  author={Adela Pinch},
  journal={Studies in Romanticism},
  • Adela Pinch
  • Published 1993
  • Philosophy
  • Studies in Romanticism
A partir d'une lecture thematique de Persuasion (conscience de l'autre, representation de l'amour, influence des livres...), l'auteur tente de definir la notion de roman lyrique chez J. Austen 

Training the Picturesque Eye: The Point of Views in Jane Austen’s Persuasion

This essay explores the relationship between landscape representation and narrative point of view in Jane Austen’s Persuasion, arguing that her innovations with focalization and free indirect style

From Nobody to Somebody: Romantic Epistemology in Jane Austen’s Persuasion

The aim of this article is to substantiate the thesis that together with the development of the plot of Persuasion, the cognitive power of the principal heroine expands, and she becomes a highly

'The novelist of home' : silence and the theorisation of domesticity in Jane Austen's fiction

This thesis offers a re-examination of the nearly two-centuries-old idea that Jane Austen is 'the novelist of home'. How, it asks, can we reconcile the seemingly opposing notions of Austen's famed

‘Bad Morality to Conclude With’: Persuasion and the Last Works

Jane Austen, wrote her brother Henry, ‘seldom changed her opinions either on books or men’ (NA, 7). In Persuasion, her novel of first love revived, the presence of Austen’s first loves — the books

From Pammydiddle to Persuasion: Jane Austen Rewriting Eighteenth-Century Literature

��� Thirty years separates the composition of “Jack and Alice: A Novel,” a tale of unrequited love, officious advice, and grotesque vanity, and Persuasion, Jane Austen’s last completed novel. Her

A companion to Jane Austen studies

Sense and Sensibility: A Convergence of Readers/Viewers/Browsers A Critical History of Sense and Sensibility The Oppositional Reader and Pride and Prejudice Pride and Prejudice: Jane Austen and Her

The Language of Love’s Lessening. Falling Out of Love and Nineteenth-Century English Literature

  • K. Pahl
  • Linguistics
    Cultural and Social History
  • 2019
ABSTRACT Charlotte Brontë’s Jane Eyre (1847) contains a rather uncommon phrase: ‘to unlove,’ meaning ceasing to love. Getting back one’s heart played a crucial, but often overlooked role in

‘No-body’: envejecimiento prematuro y ausencia corporal femenina en “Persuasion” de Jane Austen

espanolLa presencia de incognito de Jane Austen en el panorama literario del siglo XIX armoniza con la ausencia del �no-cuerpo� de Anne, su heroina en Persuasion que, con o sin freno narrativo, se

Literary transmissions and the fate of a topic: the continental spa in post-1840 British, Russian and American writing

Around 1840 the Continental watering place took off as a destination of international appeal—and as a topic in an internationalizing print culture. My thesis, drawing on a broad range of theories of