• DOI:10.1162/lmj_x_00225
• Corpus ID: 57572670

Leonardo Volume 47 and Leonardo Music Journal Volume 24

@article{2014LeonardoV4,
  title={Leonardo Volume 47 and Leonardo Music Journal Volume 24},
  author={},
  journal={Leonardo Music Journal},
  year={2014},
  pages={86-90}
}

• Published 2014
• Art
• Leonardo Music Journal

“ACM SIGGRAPH Distinguished Artist Award for Lifetime Achievement in Digital Art: Harold Cohen,” in Leonardo Special Issue: SIGGRAPH 2014 Art Papers and Acting in Translation Art Gallery, Leonardo 47, No. 4 (2014). AHMeD, NAMeeRA. Review of Ferocious Reality: Documentary According to Werner Herzog by eric Ames, Leonardo 47, No. 2 (2014). AHNeRT, RuTH, and AHNeRT, S.e. “A Community under Attack: Protestant Letter Networks in the Reign of Mary I,” in Special Section “Arts, Humanities and Complex Networks,” Leonardo 47, No. 3 (2014). AKIYAMA, MITCHeLL. “Dataffect: Numerical epistemology and the Art of Data Sonification,” Leonardo Music Journal 24 (2014). AMSTeR, PAbLo; MeSz, bRuNo; PINASCo, JuAN P.; and zIVIC, PAbLo H. RoDRíGuez. “Delayed Dynamic in Genre emergence,” in Special Section “Arts, Humanities and Complex Networks,” Leonardo 47, No. 3 (2014). ANDeRSoN, GeMMA. “endangered: A Study of Morphological Drawing in zoological Taxonomy,” Leonardo 47, No. 3 (2014). ANDeRSoN, KAYLA. “object Intermediaries: How New Media Artists Translate the Language of Things,” Leonardo Special Issue: SIGGRAPH 2014 Art Papers and Acting in Translation Art Gallery, Leonardo 47, No. 4 (2014). ANDReS, JAN. “zdeněk Sýkora and François Morellet: Parallels and Complementarity,” Leonardo 47, No. 1 (2014). ARMSTRoNG, KeITH. “Re-Imagining utopias: The bat/Human Project,” in Special Section “3rd Art and Science International exhibition and Symposium, beijing, 2012 (Part 2),” Leonardo 47, No. 3 (2014). ARRIGHI, JuLIe, and WALKeR, GRADY. “Participatory Video and Games for a New Climate,” in Special Section “balance-unbalance,” Leonardo 47, No. 5 (2014). AuDAIN, CARVeR. “Hibernaculum: Vortex,” LMJ24 CD Contributor’s Note, Leonardo Music Journal 24 (2014). bAeTeNS, JAN. Review of The Art of Failure: An Essay on the Pain of Playing Video bARCLAY, LeAH. “biosphere Soundscapes,” in Special Section “balanceunbalance,” Leonardo 47, No. 5 (2014). bARCLAY, LeAH, and DAVIS, SuSAN. “A balanced Approach to Local and Global Action,” in Special Section “balance-unbalance,” Leonardo 47, No. 5 (2014). bARRASS, TIM. “SoMA (self-organizing map ants),” in “Swarm Art” Gallery Section, Leonardo 47, No. 1 (2014). beCK, RobeRT. “untitled (Various),” in “Sleuthing the Mind” Gallery Section, Leonardo 47, No. 4 (2014). beRNIeR, NICoLAS. “Discourse, Ideas, Frequencies and Technology,” Leonardo Music Journal 24 (2014). bLANCHARD, SAM; CAMeRoN, KIRK; ReDFeRN, RobeRT; beRNALeS, SeRGIo; LI, bo; WILL, MICHeLLe; CHANG, HuNG-CHING; FAReNHoLTz, KeLSeY; DeAGueRo, bRANDoN; MeYeR, TIMMY; MooRING, JoHN; buTT, ALI; and PeTeRSeN, TAMAR. “SeeMore,” Leonardo Special Issue: SIGGRAPH 2014 Art Papers and Acting in Translation Art Gallery, Leonardo 47, No. 4 (2014). bLASSNIGG, MARTHA. Review of How Things Shape the Mind: A Theory of Material Engagement by Lambros Malafouris, Leonardo 47, No. 3 (2014). bLASSNIGG, MARTHA. Review of Theatre, Opera and Consciousness: History and Current Debates by Daniel MeyerDinkgräfe, Leonardo 47, No. 2 (2014). bobRoFF, JuLIeN; AzAMbouRG, FRANçoIS; CHAMboN, CLéMeNTINe; and RoDRIGuez, VeRoNICA. “Design and Superconducting Levitation,” Leonardo 47, No. 5 (2014). boRNSTeIN, JeNNIFeR. “Phantom Limb” in “Sleuthing the Mind” Gallery Section, Leonardo 47, No. 4 (2014). boWN, oLIVeR, and bRITToN, SAM. “An Album in 1,000 Variations: Notes on the Composition and Distribution of a Parametric Musical Work,” Leonardo 47, No. 5 (2014). bRINKMANN, HANNA; CoMMARe, LAuRA; LeDeR, HeLMuT; and RoSeNbeRG, RAPHAeL. “Abstract Art as a universal Language?” Leonardo 47, No. 3 (2014). bRuNVAND, eRIK. “Speculatorum oculi,” Leonardo Special Issue: SIGGames by Jesper Juul, Leonardo 47, No. 5 (2014). bAeTeNS, JAN. Review of Creativity and Academic Activism: Instituting Cultural Studies, edited by Meaghan Morris and Mette Hjort, Leonardo 47, No. 2 (2014). bAeTeNS, JAN. Review of The Heretical Archive: Digital Memory at the End of Film by Domietta Torlasco, Leonardo 47, No. 3 (2014). bAeTeNS, JAN. Review of The Horror Sensorium: Media and the Senses by Angela Ndalianis, Leonardo 47, No. 2 (2014). bAeTeNS, JAN. Review of Illusions in Motion: Media Archaeology of the Moving Panorama and Related Spectacles by erkki Huhtamo, Leonardo 47, No. 1 (2014). bAeTeNS, JAN. Review of Mute Poetry, Speaking Pictures by Leonard barkan, Leonardo 47, No. 1 (2014). bAeTeNS, JAN. Review of Prague, Capital of the Twentieth Century: A Surrealist History by Derek Sayer, Leonardo 47, No. 1 (2014). bAeTeNS, JAN. Review of “Raw Data” Is an Oxymoron, edited by Lisa Gitelman, Leonardo 47, No. 3 (2014). bAeTeNS, JAN. Review of Storytelling and the Sciences of Mind by David Herman, Leonardo 47, No. 5 (2014). bAeTeNS, JAN. Review of Virtual Modernism: Writing and Technology in the Progressive Era by Katherine biers, Leonardo 47, No. 5 (2014). bAeTeNS, JAN. Review of Wartime Kiss: Visions of the Moment in the 1940s by Alexander Nemerov, Leonardo 47, No. 1 (2014). bAI, YuLI, et al. “Searching for Authenticity in Fashion Design and Art Collaboration (FDAC),” in Special Section “3rd Art and Science International exhibition and Symposium, beijing, 2012,” Leonardo 47, No. 2 (2014). bARbeR, JoHN F. Review of Ethnography and Virtual Worlds by Tom boellstorff, bonnie Nardi, Celia Pearce and T.L. Taylor, Leonardo 47, No. 2 (2014). bARbeR, JoHN F. Review of In the Field: The Art of Field Recording, edited by Cathy Lane and Angus Carlyle, Leonardo 47, No. 2 (2014). bARbeR, JoHN F. Review of Lesabéndio: An Asteroid Novel by Paul Scheerbart, Leonardo 47, No. 1 (2014).