LeRoi Jones’s Radio and the Literary “Break” from Ellison to Burroughs

@article{Harrison2014LeRoiJR,
  title={LeRoi Jones’s Radio and the Literary “Break” from Ellison to Burroughs},
  author={Karen Harrison},
  journal={African American Review},
  year={2014},
  volume={47},
  pages={357 - 374}
}
  • K. Harrison
  • Published 1 June 2014
  • Art
  • African American Review
T opening pages of The Autobiography of LeRoi Jones (1984) depict a deeply visceral encounter with radio: “I pulled a big brown radio down, also on my head. . . . Another scar, still there. The radio had a knob missing and the metal rod sunk into my skull just left of my eye” (2). LeRoi Jones (later Amiri Baraka) doesn’t make much of the episode—only asking, half mockingly, “Ah, these multiple head injuries . . . is something beginning to occur to you?”—but its placement at the beginning of his… 

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References

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The Autobiography of LeRoi Jones

The complete autobiography of a literary legend. Poet, dramatist, novelist, critic, teacher, and political activist Amiri Baraka, born LeRoi Jones, vividly recounts his crusading role in African

Improvising over the Changes: Improvisation as Intellectual and Aesthetic Practice in the Transitional Poems of LeRoi Jones / Amiri Baraka

LeRoi Jones/Amiri Baraka's "Tone Poem" is dedicated to Elvin Jones, one of the major drummers of jazz's post-bebop era, and Bob Thompson, the avant-garde painter whose visual works symbolized the

Back in No Time: The Brion Gysin Reader

Brion Gysin (1916 1986) was a visual artist, historian, novelist, and an experimental poet credited with the discovery of the cut-up technique -- a collage of texts, not pictures -- which his

Mexican Modernity: The Avant-Garde and the Technological Revolution

Katherine Singer Kovacs Prize (Modern Language Association) 2005 In Mexican Modernity, Ruben Gallo tells the story of a second Mexican Revolution, a battle fought on the front of cultural

The Leroi Jones\/Amiri Baraka Reader

Amiri Baraka - dramatist, poet, essayist, orator, and fiction writer - is one of the preeminent African-American literary figures of our time. The Leroi Jones/Amiri Baraka Reader provides the most

The Anxiety of Obsolescence: The American Novel in the Age of Television

It almost goes without saying that the rise in popularity of television has killed the audience for "serious" literature. This is such a given that reading Fitzpatrick's challenge to this notion can

Visions of Cody

"What I'm beginning to discover now is something beyond the novel and beyond the arbitrary confines of the story. . . . I'm making myself seek to find the wild form, that can grow with my wild heart

Discrepant Engagement: Dissonance, Cross-Culturality and Experimental Writing

This highly regarded and frequently referenced work of literary criticism is essential to any study of avant garde poetics.Nathaniel Mackey addresses the poetry and prose of a number of authors not

Blues People: Negro Music in White America

"The path the slave took to 'citizenship' is what I want to look at. And I make my analogy through the slave citizen's music -- through the music that is most closely associated with him: blues and a

Wireless Imagination: Sound, Radio, and the Avant-Garde

Wireless Imagination addresses perhaps the most conspicuous silence in contemporary theory and art criticism, the silence that surrounds the polyphonous histories of audio art. Composed of both