La pittura parietale romana come fonte di conoscenza per la scultura antica

@article{Moormann1990LaPP,
  title={La pittura parietale romana come fonte di conoscenza per la scultura antica},
  author={E. Moormann},
  journal={American Journal of Archaeology},
  year={1990},
  volume={94},
  pages={702}
}
  • E. Moormann
  • Published 1990
  • Art
  • American Journal of Archaeology
Venus in Pompeii : iconography and context
This thesis investigates the significance of representations of Venus and their spatial contexts in Pompeii. The database for this thesis comprises 197 representations of Venus in Pompeii, of whichExpand
Art and Archaeology
Change is what keeps the study of classical art and archaeology in business. The stories that we tell of ancient material culture – about form, function, and modes of response – are premised on theExpand
Mixed-Media Domestic Ensembles in Roman Sicily: The House of Leda at Soluntum
TLDR
It is argued that the tension created between the medium of paint, and its use to mimic marble and stone, resulted in a unified, mixed-media domestic ensemble. Expand
Painting by Numbers: A Quantitative Approach to Roman Art
Scholars of Roman artworks often make general statements regarding how often certain subjects occurred in certain areas within houses (for instance, Bacchus in dining areas, Venus in ‘bedrooms’ orExpand
Egypt in Italy: Visions of Egypt in Roman Imperial Culture
Introduction: from Egypt to Italy 1. Egyptian objects, Roman contexts: appropriation and aesthetics 2. Aegyptus Redacta: Augustus' obelisks and the spoils of Egypt 3. The sanctuary of Isis inExpand
Sobre las imágenes de privados como esculturas. Algunas reflexiones en torno a los mecanismos de autorepresentación ciudadana
The unusual example of the painted figures from the chamber of the funerary building of the Voconios' family from Merida is used as starting point of some reflections about the self-representation ofExpand
...
1
2
...